Ac dc Discogs

AC/DC, for most intents and purposes, fell apart after the release of Rock or Bust in 2014, so it's a relief to hear Power Up and discover that AC/DC still sound like AC/DC: thick, powerhouse chords and rhythms battle and groove with Brian Johnson, who shrieks for pleasure, not attention. That sense of relief never dissipates as Power Up offers song after song that firmly hit their target, adding up to an album that delivers reliable thrills. Considering how AC/DC have rarely strayed from the blueprints they scribbled back in the days of Bon Scott, this may not seem to be a newsworthy event, but considering how the group got mired in a spell of bad fortune in the mid-2010s, this amounts to a minor miracle.

AC/DC, for most intents and purposes, fell apart after the release of Rock or Bust in 2014, so it's a relief to hear Power Up and discover that AC/DC still sound like AC/DC: thick, powerhouse chords and rhythms battle and groove with Brian Johnson, who shrieks for pleasure, not attention. That sense of relief never dissipates as Power Up offers song after song that firmly hit their target, adding up to an album that delivers reliable thrills. Considering how AC/DC have rarely strayed from the blueprints they scribbled back in the days of Bon Scott, this may not seem to be a newsworthy event, but considering how the group got mired in a spell of bad fortune in the mid-2010s, this amounts to a minor miracle.

Fly on the Wall is the tenth studio album by Australian hard rock band AC/DC, released on 28 June 1985 by Albert Productions, and Atlantic Records. It was the band's ninth internationally released studio album and the tenth to be released in Australia. The album was re-released in 2003 as part of the AC/DC Remasters series.

The essence of a great rock n roll band is the ability to drive a beat at breakneck pace,shatter the ear drums and create a sound that makes you think like every other act around is a copy of that particualr band…or simply put,the essence is to sound like AC/DC,pure and simple. This is one of the truely great rock albums of all time,and after 40 years it sounds as fresh today as ever.

High Voltage is the debut studio album by Australian hard rock band AC/DC. It was released in Australia on 17 February, 1975

Stiff Upper Lip, AC/DC's 15th studio album, may not reach the heights of Back in Black or Highway to Hell, but it delivers strongly and satisfyingly. It's the record that the highly touted, Rick Rubin-produced Ballbreaker should have been: a simple, addictive, hard album, bursting with bold riffs and bolstered by a crunching, thrillingly visceral sound. Sure, there are absolutely no new ideas, but that's the point. AC/DC know their strengths and they embrace them. And why shouldn't they? Nobody writes a better riff than Malcolm and Angus Young; each song has a riff so catchy, it feels like you've heard it for years.

AC/DC hits turned into Christmas rock by Santa Claws And The Naughty But Nice Orchestra – instrumentals (jazz/classical/elevator style) with sleigh bells added. Sleigh bells ring and hell's bells toll on this incredible holiday tribute to one of music's most iconic acts. Nothing can quench AC/DC's thirst for cheap thrills, dirty deeds and sweet, sweet candy. Santa may have crossed these naughty boys off his list a long time ago, but that doesn't mean you can't score the world's biggest Christmas ball with this little noel. You will definitely score with these hard rock candy holiday versions of AC/DC's greatest songs.

"Highway To Hell", AC/DC's fifth (international) album and their last to feature their late vocalist Bon Scott, is arguably the best of the Bon Scott era and certainly the most commercially successful. It is also my personal favourite of all of the albums they made with Bon and the first of three consecutive works they recorded with legendary producer, Robert John "Mutt" Lange. I think it's fair to say that, sonically, they had never sounded better on record before this point, as Lange gave them a punch that they hadn't quite managed to capture in the studio prior to this record. Having said that, the compositions are very similar to those from all of their previous releases, so it is a case of "more of the same" from the band… not that that is a bad thing, if you like AC/DC.

Bon Appetite is a tribute to the late great AC/DC vocalist Bon Scott. Features performances from AC/DC vocalist Dave Evans, also Derek St. Holmes (Ted Nugent) , Jason McMaster (Dangerous Toys), Tommy Paris (Britny Fox), Rick Ruhl (Every Mothers Nightmaret) and others.

The essence of a great rock n roll band is the ability to drive a beat at breakneck pace,shatter the ear drums and create a sound that makes you think like every other act around is a copy of that particualr band…or simply put,the essence is to sound like AC/DC,pure and simple. This is one of the truely great rock albums of all time,and after 20 years it sounds as fresh today as ever.