In a three-year period, Stan Getz played with bands featuring either pianist Duke Jordan or a young Horace Silver. This is the boppin' Getz on tenor, playing standards fervently. There are two Gigi Gryce originals, the Getz original "Hershey Bar," and Silver's "Penny" among the 24 tracks. This is a decent introduction to the pre-bossa nova player the world would later know.
This difficult to find recording is worth the search; it contains some of the finest recorded work of Al Haig's enigmatic career. Haig was an important figure in the early development of bebop piano and can be heard as a sideman on many seminal recordings from the 1940s, including Salt Peanuts and Hot House. His refined classical technique was relatively unique at the time, and he was admired as a superb accompanist. Between the mid-'50s and the early 1970s there is a curiously large gap in his recorded output evidently due to personal problems. In fact, Al Haig Today! appears to be his only release as a leader during the '60s.
This particular album is by Al Haig the pianist Bird and Getz considered the perfect pianist and he was the one they loved the most to play with. And here you can understand why. The album is quite old, I mean it should be an early fifties record, unfortunately in my edition (1991 Fresh Sound) this information is not there. Allmusicguide says it's a 1954 album, and surely it could be correct. The sound is from the era. It is a quartet album and in the fifties it came out on the Period Label.
Pianist Al Haig, a veteran of the bebop era, plays pretty modern on this quartet date which is co-led by guitarist Jimmy Raney. With backing by bassist Jamil Nasser and drummer Frank Gant, Haig and Raney interpret two bop standards and such later material as Herbie Hancock's "Dolphin Dance" and Eddie Harris' "Freedom Jazz Dance." Haig and Raney inspire each other to stretch out, including on an 11-minute version of "'Round Midnight." Thought-provoking music well worth hearing several times.
Originally released in 1967, the compilation album Prezervation brings together tracks that jazz saxophonist Stan Getz recorded in 1949 and 1950. Backing Getz here is pianist Al Haig, who gets second billing, as well as guitarist/vocalist Jimmy Raney, bassist Tommy Potter, drummer Roy Haynes, and others. The album is a superb example of early West Coast jazz and a must-have collection for Getz aficionados.
In this magnificent collection presented melodies performed by these masters of jazz piano: Scott Joplin, James P. Johnson, Eubie Blake, Mandy Randolph, Duke Ellington, Art Tatum, Joe Sullivan, Teddy Wilson, Count Basie, Oscar Peterson, Thelonious Monk, Nat King Cole and many, many others …
This limited-edition three-CD set will be hard to acquire but it is a gem. Tenor saxophonist Stan Getz and guitarist Jimmy Raney had very complementary cool-toned but hard-swinging styles. Their gig at Storyville in Boston resulted in some classic music that, along with five studio sessions, is included in this box. The supporting cast includes pianists Al Haig, Horace Silver, Duke Jordan, and Hall Overton; the music was originally recorded for Roost, Clef, Norgran, and Prestige. This essential set is filled with exciting performances from Stan Getz when he was first becoming a highly influential force in jazz.
A wonderful collector's edition of jazz pianists' records in almost all styles from the first ragtimes to modern jazz.