Alex Jones

"Living My Life" is the 6th studio album by Grace Jones, released in 1982. It was the last of three albums she recorded at the Compass Point Studios in the Bahamas. The urban-flavoured "Nipple to the Bottle" and reggae-oriented "The Apple Stretching" were released simultaneously as lead singles. "Nipple to the Bottle" received a worldwide release, becoming a highly popular dance track in the US, as well as a top three hit in New Zealand. The latter was not released in the North America and achieved only moderate success in Europe. Three more singles were then simultaneously released in January 1983, of which "My Jamaican Guy" turned out the most successful. "Cry Now, Laugh Later", released only in the US and Canada, and "Unlimited Capacity for Love" did not chart. In 2010 "Inspiration" was remixed to a 7:14 "Leroc Sportif Edit" and released as a one-track digital only single in February.

For the New World Order, a world government is just the beginning. Once in place they can engage their plan to exterminate 80% of the world's population, while enabling the "elites" to live forever with the aid of advanced technology. For the first time, crusading filmmaker Alex Jones reveals their secret plan for humanity's extermination, Operation: ENDGAME.

Live At Montreux is a 1993 live album by Miles Davis & Quincy Jones. This was recorded at the 25th anniversary of The Montreux Jazz Festival on 8 July, 1991, two months before Davis' passing. This was released in the U.S. by Warner Bros. Records.

American Dictators is a 90+ minute expose chronicling the degeneration of America's political process. Alex Jones rips away layer after layer of the false left-right paradigm and finally reveals the 2004 election for what it is – stage managed theater that would make Shakespeare proud.

One Russian equivalent of “outside the box”, as 41-year-old Moscow-based drummer Alexander “Sasha” Mashin titles his debut leader recording, is the phrase мыслить нетрадиционно (myslit' netraditsionno-“think unconventionally”). Both the literal and metaphorical usages apply to Mashin’s intentions on this kinetic date, on which he and his pianist and bassist of choice propel the flow for separate sets of original music by two of Russia’s most distinguished jazz exports — New York-based trumpeter Alexander Sipiagin and London-based alto saxophonist Evegeny “Zhenya” Strigalev. Call it global jazz with a Russian attitude.