Alexander Panos

This anthology aspires to map the heterogenous landscape of Greek Experimental Electronic Music in all its contextual, sociopolitical, geographical and aesthetic disparity. With a single exception, it zeroes in on post-80s music. It comprises works of very different kinds by composers of all sorts of backgrounds that, still, can be thought of, as both "Greeks" and "Experimentalists". Experimental Electronic Music is generally expected to be highly variegated, especially when examined in a breadth of several decades, and with respect to all sorts of artistic, academic, subcultural and other influences. What is not so obvious, however, is that the very notion of Greekness, as well as its contextual and historical offshoots, are highly diversified, too. This anthology is an attempt to map the various kinds of Experimental musics that have been produced by Greeks over the last few decades. More, it is also an attempt to delineate different understandings of what "Greek" or "Experimental" may stand for, by means of zeroing in on the numerous, often overlapping, realities and micro-scenes that are associated with the former.

Pure is Robben Ford’s brand-new instrumental studio album – the first one since Tiger Walk from 1997. With nine unique tracks the album features a “pure” Robben Ford - this guitar virtuoso who has a tremendous music vocabulary of jazz, blues and rock. Pure is to be congratulated as an album which seamlessly blends a soulful west coast vibe with bluesy hard rock. On top, Pure features exceptional guest musicians such as Nate Smith, Toss Panos, Shannon Forest and more.

In this programme, La Boz Galana takes a journey through the popular idioms of Italian and Spanish composers who worked in Italy, among them Kapsberger, Landi, and other less well-known figures such as Arañés, Stefani and Milanuzzi. As a result of a centuries-old practice – the repertoires of frottole and strambotti, for example – these composers created a ‘lighter’ genre using popular musical forms based on poetic texts related to them, both Italian and Spanish. Meant to transmit the expressivity of exquisite poetry in conjunction with music, these short and seemingly simple songs appear as succinct miniatures embodying the boundless desire of amateur musicians to shape their intimate musical worlds and engrave the poems in their memories. These pieces were the ‘pop songs’ of their time, and are often true gems of their kind.