Alison Mosshart

First ever posthumous tribute to the psychedelic rock luminary and pioneer, featuring all-new recordings by Lucinda Williams, Billy F Gibbons, The Black Angels, Margo Price, Mosshart Sexton (Alison Mosshart & Charlie Sexton), Neko Case, Mark Lanegan & Lynn Castle, Jeff Tweedy, Gary Clark Jr & Eve Monsees, Ty Segall, Chelsea Wolfe, and Brogan Bentley.

Silver Patron Saints: The Songs of Jesse Malin is a tribute and benefit album, with all proceeds to Jesse Malin’s Sweet Relief artist fund. It features Bruce Springsteen, Counting Crows, The Wallflowers, Lucinda Williams, Elvis Costello, Bleachers, Billie Joe Armstrong, Dinosaur Jr, Frank Turner, Tom Morello, Steve Van Zandt, Spoon, The Hold Steady, Low Cut Connie, Rancid and more. The full album tracklisting is a proper trawl through his career from the glorious D Generation days right up to the very recent past.

Place for Us to Dream is a compilation album by the English alternative rock band Placebo. It was released on 7 October 2016, as part of the band's twentieth anniversary celebrations. It consists of 36 tracks, including songs off albums, single versions, radio edits, live performances and redux editions of previously released songs, as well as the 2016 single "Jesus' Son". The compilation includes all Placebo songs that have been released as singles, apart from "Burger Queen Français", "Twenty Years" and "The Never-Ending Why". "A place for us to dream" is a lyric from the song "Narcoleptic" on Placebo's third album, Black Market Music. The album cover is an iconic photo taken during the 2011 Vancouver Stanley Cup riot. Japanese release includes an exclusive disc - Live At Akasaka Blitz Tokyo 2010.

One of the most admired guitarists of the early 21st century, Jack White helped restore the popularity of punk-blues as the frontman of the White Stripes. Meanwhile, he widened his reach by participating in a range of other projects, including the Raconteurs, the Cold Mountain soundtrack, Loretta Lynn's comeback vehicle Van Lear Rose, the Dead Weather, and a solo career. Although White's nasal voice and loose, fiery guitar delivery were mainstays of the White Stripes' early work, the group branched out as its reputation grew, building upon an initially minimalist sound with elements of metal, backwoods country, pop, and early rock & roll. White followed a similar evolution in his own career, and by the time the White Stripes celebrated the tenth anniversary of their debut album, the frontman had already issued two pop-oriented records with the Raconteurs, starred in several films, collaborated with Electric Six, duetted with Alicia Keys, and produced records for a number of artists.

"I wanted it to be the biggest sounding Foo Fighters record ever. To make a gigantic rock record but with Greg Kurstin's sense of melody and arrangement… Motorhead's version of Sgt. Pepper… or something like that." So speaks Dave Grohl of the mission statement made manifest in Foo Fighters' ninth epic, the aptly-titled Concrete and Gold, due out September 15 worldwide on Roswell Records / RCA Records. Concrete and Gold was written and performed by Foo Fighters, produced by Greg Kurstin and Foo Fighters, and mixed by Darrell Thorp.