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"He is the only other pianist", said the legendary Arturo Benedetti Michelangeli of Sergio Fiorentino. How is it that one of the greatest musical geniuses of the 20th century is still so unknown? Sergio Fiorentino (1927-1998) was a remarkable Italian pianist whose career combined exceptional artistry with a quiet, almost enigmatic presence in the music world. Born in Naples, Fiorentino exhibited prodigious talent from an early age, studying at the prestigious San Pietro a Majella Conservatory under the guidance of Alfredo Casella and Paolo Denza. His early successes included significant competition wins and promising concert debuts, establishing him as a rising star in the mid-20th-century classical music scene.

"He is the only other pianist", said the legendary Arturo Benedetti Michelangeli of Sergio Fiorentino. How is it that one of the greatest musical geniuses of the 20th century is still so unknown? Sergio Fiorentino (1927-1998) was a remarkable Italian pianist whose career combined exceptional artistry with a quiet, almost enigmatic presence in the music world. Born in Naples, Fiorentino exhibited prodigious talent from an early age, studying at the prestigious San Pietro a Majella Conservatory under the guidance of Alfredo Casella and Paolo Denza. His early successes included significant competition wins and promising concert debuts, establishing him as a rising star in the mid-20th-century classical music scene.

RCO - Anthology of the Royal Concertgebouw Orchestra, Vol 1, 1935-1950 (2002) {13CD Box Set Q Disc 97017, Limited Edition}
XLD rip (secure mode) | FLAC (tracks)+CUE+LOG -> 3.25 Gb | MP3 @320 -> 2.04 Gb
Full Artwork @ 600 dpi (jpg) -> 460 Mb | 5% repair rar
© 1935-50, 2002 Radio Netherlands Music / Q Disc | 97017
Classical / Orchestral / Symphony / Romantic / Early 20th Century

Böhm was reported to have told the Wiener Philharmoniker towards the end of his life "I loved you as one can only love a woman". Listening to this boxset, capturing the Concertgebouworkest at the peak of its powers (between 1935 and June 1941), still at a commendable level (between July 1941 and 1944) before having to rebuild from the ashes of war (1945 to 1947) to finally come back to the highest level (1949-1950), the careful auditor has history in the making unfolding with its drama, its joys, but essentially its incommensurable beauty.

A unique collector's edition is a "climbing on the history of music" for 20 centuries from ancient times (Greece) to the present day. "History of Music", the 20-disc collection. Starting with the ancient music, music of the Middle Ages continued, Renaissance and Baroque music and ending the era of romanticism and modernity.

For many their first encounter with classical music will be through its use in films and this collection makes a fantastic entry point to this rich and diverse world. Helpfully all tracks list the films alongside the music, so there will be no doubt as to where the music is familiar from. Classical music has been used to memorable effect in films many times from Ride of the Valkyries in Apocalypse Now to Barber s Adagio in Platoon and from Also sprach Zarathustra in 2001: A Space Odyssey to Beethoven s Ninth in A Clockwork Orange. Occasionally, as in the case of Mozart s Piano Concerto No.21 used in Elvira Madigan, the film title has provided a lasting nickname for the music. All these favourites are included here.

Giacomo Carissimi (1605.4.18～1674.1.12) Italian composer. From 1623 to 1625, he served as a chorus member of the Tivoli Church; from 1624 to 1627, he also served as an organist. In 1628, he was appointed the chief of the church of St. Apollin in Rome. From 1628 to 1629, he served as the chief of the church in Assisi. From 1629, he served as the music director of Apollinal Church until his death. It has made important contributions to the early development of oratorio and cantata, perfected cantata, formed a structure of tunes, and improved the status of cantata to replace pastoral. The scale of his oratorio is small, and the part where the story is narrated by solo recitals is very expressive, and the role of chorus has been strengthened.