Amos 23

V.A. - Golden Retro Hits (4x2CD, 2010)  Music

Posted by Speedyclick at Jan. 24, 2014
V.A. - Golden Retro Hits (4x2CD, 2010)

V.A. - Golden Retro Hits (4x2CD, 2010)
EAC Rip | APE (image & cue & log) & mp3 @ 320 kbps | tracks: 215 | Scans | 10:34:04 | ~ 3,6 Gb & 1,45 Gb
Label: East Records (russian cut) | 5% recovery record | Remastered original recordings | Pop, oldies

Nostalgic journey to the past with 215 originals from 50's and 60's. This great compilation includes well known classics from the past, but also some rare hits with singers like Taco, Dan Spataru, Barry Sisters, Amos Milburn, Sohnny Cymbal, Little Miss Cornshucks, Georgia Gibbs and many more, not easily found in other collections. A must-have for any oldies' fan.

Audio’s Audiophile Vol.1 - Vol.24 (1993-2009)  Music

Posted by Discograf_man at Aug. 9, 2015
Audio’s Audiophile Vol.1 - Vol.24 (1993-2009)

Audio’s Audiophile Vol.1 - Vol.24 (1993-2009)
Jazz, R&B, Smooth Jazz, Swing, Blues, Folk, Pop, Rock, Classical | MP3 CBR 320 kbps | 4,29 Gb
Label: Vereinigte Motor-Verlage, Phono Music Audio, Zounds | Release Year: 1993-2009

These 24-carat gold CD, characterized by exceptionally clear record. This is the result of the use and NoNOISE "SASS" (Sound Analysis and Synthesis System).
VA - Loud, Fast & Out Of Control: The Wild Sounds Of '50s Rock (Remastered) (1999)

VA - Loud, Fast & Out Of Control: The Wild Sounds Of '50s Rock (Remastered) (1999)
EAC Rip | FLAC (tracks, cue, log) - 1.1 GB | MP3 CBR 320 kbps - 560 MB
4:04:34 | Jump Blues, Soul, Rockabilly, Rock 'n' Roll | Label: Rhino

Rock & roll exploded in the '50s onto a cultural landscape that was so uptight and repressed as to be unrecognizable today, even to those who lived through it. Everything – from the clothes young people wore to the music they listened to to the money they spent – was a hard-fought statement, because no youth group before those '50s teenagers ever had that kind of freedom and did something with it. Pop music was bland, bland, bland (just like it is now) and the bigger and badder and bolder rock & roll became, the more of a threat it was to the status-quo squares who banned it every chance they got. You couldn't listen to it, you couldn't dance to it at your school, concerts in public places were banned, and artists were often jailed for performing it in public.
VA - Loud, Fast & Out Of Control: The Wild Sounds Of '50s Rock (Remastered) (1999)

VA - Loud, Fast & Out Of Control: The Wild Sounds Of '50s Rock (Remastered) (1999)
EAC Rip | FLAC (tracks, cue, log) - 1.1 GB | MP3 CBR 320 kbps - 560 MB
4:04:34 | Jump Blues, Soul, Rockabilly, Rock 'n' Roll | Label: Rhino

Rock & roll exploded in the '50s onto a cultural landscape that was so uptight and repressed as to be unrecognizable today, even to those who lived through it. Everything – from the clothes young people wore to the music they listened to to the money they spent – was a hard-fought statement, because no youth group before those '50s teenagers ever had that kind of freedom and did something with it. Pop music was bland, bland, bland (just like it is now) and the bigger and badder and bolder rock & roll became, the more of a threat it was to the status-quo squares who banned it every chance they got. You couldn't listen to it, you couldn't dance to it at your school, concerts in public places were banned, and artists were often jailed for performing it in public.
VA - Loud, Fast & Out Of Control: The Wild Sounds Of '50s Rock (Remastered) (1999)

VA - Loud, Fast & Out Of Control: The Wild Sounds Of '50s Rock (Remastered) (1999)
EAC Rip | FLAC (tracks, cue, log) - 1.1 GB | MP3 CBR 320 kbps - 560 MB
4:04:34 | Jump Blues, Soul, Rockabilly, Rock 'n' Roll | Label: Rhino

Rock & roll exploded in the '50s onto a cultural landscape that was so uptight and repressed as to be unrecognizable today, even to those who lived through it. Everything – from the clothes young people wore to the music they listened to to the money they spent – was a hard-fought statement, because no youth group before those '50s teenagers ever had that kind of freedom and did something with it. Pop music was bland, bland, bland (just like it is now) and the bigger and badder and bolder rock & roll became, the more of a threat it was to the status-quo squares who banned it every chance they got. You couldn't listen to it, you couldn't dance to it at your school, concerts in public places were banned, and artists were often jailed for performing it in public.
Various Artists - Let Me Tell You About The Blues - New York: The Evolution Of New York Blues (2009) {3 CD Box Set}

Various Artists - Let Me Tell You About The Blues - New York: The Evolution Of New York Blues (2009) {3 CD Box Set}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 682 Mb | MP3 @320 -> 479 Mb
Full Artwork @ 300 dpi (png) -> 125 Mb | 5% repair rar
© 2009 Fantastic Voyage / Future Noise Music Ltd. | FVTD030
Blues / Regional Blues

The blues recording industry began in New York City and for most of the 1920s, musicians travelled from all parts of the country to make their mark in the recording studio. Bessie Smith and Ma Rainey were amongst the most popular female singers but they were soon rivaled by the likes of Lonnie Johnson, Robert ‘Barbecue Bob’ Hicks, Texas Alexander and Mississippi John Hurt. Kansas Joe McCoy cut ‘When The Levee Breaks’, justly famous in its Led Zeppelin incarnation, in the city.
Harry Choates - Devil In The Bayou (2002) {2CD Set, Bear Family BCD 16355 BH rec 1940-1950}

Harry Choates - Devil In The Bayou (2002) {2CD Set, Bear Family BCD 16355 BH rec 1940-1950}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 442 Mb | MP3 @320 -> 322 Mb
Full Artwork @ 300 dpi (jpg) -> 70 Mb | 5% repair rar
© 1940-50, 2002 Bear Family | BCD 16355 BH (Gold Star)
Cajun / Country / North American Traditions / Honky Tonk

Here's one of the great untold stories in American music, revealed at last! Harry Choates was a natural-born musician. He's famous as a Cajun fiddle player, but he could play matchless Western Swing fiddle and jazz guitar to rival Django Reinhardt. His fellow musicians say he played piano and mandolin superbly, too. In 1946, Harry Choates recorded the Cajun classic Jolie Blonde, forever mistitled Jole Blon. It was cut for a tiny local label, but became a nationwide smash, inspiring numerous cover versions, sequels, and prequels. For the first time, the story is revealed here.

David Arnold - Good Omens [2019] [Soundtrack]  Music

Posted by Aregak at July 8, 2019
David Arnold - Good Omens [2019] [Soundtrack]

David Arnold - Good Omens [2019] [Soundtrack]
EAC Rip | FLAC, TRACKS+CUE, LOG, Covers) | 01:29:18 | 598.32 MB
Score | Silva Screen | SILCD1593

Composer David Arnold’s soundtrack to the highly anticipated TV adaptation of Neil Gaiman and Terry Pratchett’s 1990 comic fable that packs a punch…
Various Artists - Heavy Sugar Second Spoonful: More Pure Essence Of New Orleans R&B (1954-1960) {3CD Fantastic Voyage FVTD131}

Various Artists - Heavy Sugar Second Spoonful: More Pure Essence Of New Orleans R&B (1954-1960) {3CD Fantastic Voyage FVTD131 rel 2011}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 527 Mb | MP3 @320 -> 362 Mb
Full Artwork @ 300 dpi (jpg) -> 16 Mb | 5% repair rar
© 1954-60, 2010 Fantastic Voyage | FVTD131
Rhythm & Blues / Rock ‘n’ Roll / Rockabilly

Following the critical acclaim and enthusiastic response to Heavy Sugar: The Pure Essence of New Orleans R&B, compiler Stuart Colman has dug deep into the city’s unique recording legacy to bring about a sumptuous second helping. In addition to the requisite sourcings, the net has been cast wider still in order to focus on material gleaned from such picayune outlets as Rustone, Pontchartrain, Athens, Winner and Spinett. There is a very good reason for this.

The First Rock And Roll Record (2011)  Music

Posted by v3122 at May 23, 2013
The First Rock And Roll Record (2011)

The First Rock And Roll Record (2011)
EAC | Flac(Image) + Cue + Log & iPod M4A(Tracks) & MP3 CBR 320Kbps
3CD | Famous Flames, FLAMECD01 | ~ 850 or 874 or 534 Mb | Scans(png) -> 280 Mb
Blues / Jazz / Swing / Rock'n'Roll

Musicians play music, and when they play, they don't begin something so much as they pick something back up that was there all along, and music expands like a delta this way, an unbreakable loop that doesn't begin or end but just rolls onward like a wave. And rock & roll as an American musical form is very much like a delta, collecting elements from jazz, blues, country, gospel, R&B, show tunes, and whatever else was floating around into a high-charged, rambunctious music that defined and drove pop culture across the backwaters of the 20th century and into the 21st…