This two-CD set was originally issued by Hyperion on CDA 66891/2 in the mid-1990s; it’s good to have the collection available like this and it can be thoroughly recommended.
"The work is polychoral, and almost made for multichannel recordings. (…) Sonically this is a splendid disc; in multichannel making the most of the rich acoustic signature of the church to add bloom to the voices and instruments, and presenting the spatial organisation of 'Songs' in a unique and convincing way. (…) Lovers of fine choral singing and contemporary vocal music will surely enjoy this fine disc, which ably demonstrates the versatility of Hillier and his forces." ~sa-cd.net
"The work is polychoral, and almost made for multichannel recordings. (…) Sonically this is a splendid disc; in multichannel making the most of the rich acoustic signature of the church to add bloom to the voices and instruments, and presenting the spatial organisation of 'Songs' in a unique and convincing way. (…) Lovers of fine choral singing and contemporary vocal music will surely enjoy this fine disc, which ably demonstrates the versatility of Hillier and his forces." ~sa-cd.net
This is an excellent collection of Aaron Copland’s early orchestral works, written when the composer was in his twenties and mid-thirties. These pieces have not achieved the notoriety of Mr. Copland’s later “populist” compositions and contain more modernist devices. Some of these feature jazz elements (such as the Piano Concerto, Music for the Theater and the Dance Symphony, which was drawn from materials composed for the “Grogh” ballet). Despite the complexity of these selections, the music is both exhilarating and interesting, albeit challenging. Repeat listenings are required if one wishes to fully appreciate these compositions…
This historic LP includes a 20-minute performance with altoist Julius Hemphill, trumpeter Baikida Carroll, baritonist Hamiet Bluiett, cellist Abdul Wadud and drummer Philip Wilson ("The Hard Blues") taken from the same session that resulted in Dogon A.D. In addition, there are four briefer tracks that feature Hemphill, Bluiett, Wadud, altoist Arthur Blythe, drummer Barry Altschul and the congas of Daniel Zebulon. The music throughout is quite avant-garde but differs from the high-energy jams of the 1960s due to its emphasis on building improvisations as a logical outgrowth from advanced compositions. It's well worth several listens.