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Hank Jones, Christian McBride, Jimmy Cobb - West Of 5th (2006) MCH PS3 ISO + DSD64 + Hi-Res FLAC

Hank Jones / Christian McBride / Jimmy Cobb - West Of 5th (2006)
PS3 Rip | SACD ISO | DST64 2.0 & 5.0 > 1-bit/2.8224 MHz | 62:17 minutes | Scans included | 2,71 GB
or DSD64 2.0 Stereo (from SACD-ISO to Tracks.dsf) > 1-bit/2.8224 MHz | Scans included | 1,41 GB
or FLAC Stereo (carefully converted & encoded to tracks) 24bit/88,2 kHz | Scans included | 1,19 GB
Features Stereo and Quadrophonic Surround Sound | Chesky Records # SACD 313

West of 5th is an exciting jazz recording that features pianist Hank Jones, bassist Christian McBride and drummer Jimmy Cobb. Listeners are offered a unique opportunity to hear two esteemed veterans playing with a stellar young musician. Jones and Cobb first rose to fame performing with talents as diverse as Miles Davis, Coleman Hawkins and others.
Arvo Part - Kanon Pokajanen (1998) {2CD Set, ECM New Series 1654/55}

Arvo Part - Kanon Pokajanen (1998) {2CD Set, ECM New Series 1654/55}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 263 Mb | MP3 @320 -> 198 Mb
Full Artwork @ 300 dpi (jpg) -> 19 Mb | 5% repair rar
© 1998 ECM Records | ECM New Series | ECM 1654/55 / 78118-21654-2
Classical / Choral / Avant-Garde / Modern Composition

Arvo Part's Kanon Pokajanen is a work of starkly radiant beauty, a deeply felt plea for forgiveness so resonant it seems to bear its own expiatory power. The piece is a choral setting of the Russian Orthodox Church's canon of repentance, believed to have been composed by St. Andrew of Crete sometime in the late seventh century. Part had experimented with the canon in earlier works, but when the Cologne Cathedral commissioned him to compose a choral piece for its 750th anniversary, he took the opportunity to immerse himself in it completely. Over two years of intense quality time with the work, Part produced an 80-minute choral setting of the entire canon that mines each word of the original Church Slavonic (a language used exclusively in ecclesiastical texts) for its maximum musicality and meaning.