Anne.phillips.ballet.time

Sultry jazz chanteuse who started off in the 1950s with the Ray Charles Singers, continued performing into the '00s. After making her recording debut in 1959 for Roulette Records, with Born To Be Blue, the marked shift in popular music patterns resulted in a highly successful career in the studios. Phillips now became one of the most respected and in-demand studio performers in the music business in New York City. Throughout the 60s, she sang in backing groups on countless recording sessions, wrote, arranged and produced commercials. Artists with whom she worked during these years include the Sammy Davis Jnr. , the Four Tops, Leslie Gore, Linda Ronstadt, Mahalia Jackson, Wilson Pickett and Martha And The Vandellas.

Songwriter and pianist Anne Clark has been a cult figure since the early '80s and has amassed a rather sizable catalog despite her small but rabid following. She writes nearly-Gothic love songs full of obsession and pathos, and pretty orchestral settings with clever instrumental figures and stinging piano runs and minor-key epiphanies. She's a consummate artist, playing to her strengths while trying to subtly, but surely, extend her reach, and always following her own muse, even when it takes her into dissonant territory. Most of her albums are out of print even on CD, and sell for collector's prices when they can be found. This is too bad, because Clark has assembled a solid, if quirky, and passionately honest body of work. This best-of issued by Beehive is truly that. It features 24 tracks and clocks in at over 75 minutes. Many of these are Clark's most lovely songs, such as "The Sitting Room," "All Night Party" (with Vini Reilly of Durutti Column), the "12" remix" of "Our Darkness," and "The Last Emotion," as well as instrumental themes such as "Swimming" and "An Ordinary Life".

Anne Murray's time with Capitol Records was running out when she recorded "Croonin." Her singles were no long charting and her album sales had dropped off significantly. The public was no longer buying the pop-rock-country formula that had served her so well for twenty-five years. What to do? Record an album of American standards. Why not? "Old Cape Cod," "Secret Love," Hey There," "The Wayward Wind" "Teach Me Tonight" – these were the tunes she listened to on the radio while growing up in Nova Scotia. They fit her middle-register voice like a glove. They were in her DNA. In a way, "Croonin" is the answer to "Where Do You Go When You Dream" (the title of an earlier an album). You sing the songs you truly love. And sings them she does, with all the dignity, sincerity, polish, and professionalism that distinguished her long career. Anne Murray was always a class act.

Since Offenbach is celebrated principally for the insatiable melodiousness and joie de vivre of his nearly 100 operettas, it is easy to overlook the fact that he started out as one of the finest cellists of his generation. Even in an age of super-virtuosos, his talent was such that at his peak he appeared in concert alongside the likes of Anton Rubinstein, Felix Mendelssohn and Joseph Joachim.