Anthropocentric

As befits their namesake, the Ocean think big. This album is the second half of a two-disc set; the first half, Heliocentric, was released at the beginning of 2010, with this disc finishing out the year. These two discs succeed a two-CD set, Precambrian, released in 2007. Each of these (each Ocean record, really) is a sit-down-with-the-lyric-sheet-and-ponder experience; it's possible to just let the loud guitars and thundering drums wash over you, as you would with, say, High on Fire, but that's so clearly not what the band wants to happen that Anthropocentric ceases to be cathartic, like all the best metal, and starts to feel like homework. That's not to say that the band doesn't rock. "The Grand Inquisitor II: Roots & Locusts" has a headlong fury that's reminiscent of the Mars Volta at times, and the title track is a near-ten-minute stomp, like Isis crossed with the early-'90s hardcore band Judge…

Since 2007's Precambrian, the Ocean has become increasingly conceptual. Two separate offerings from 2010, Heliocentric and Anthropocentric, had longtime fans in a quandary as to whether the band were visionaries or merely pretentious. Over two years in the making, Pelagial was originally envisaged by guitarist, lyricist, and band mastermind Robin Staps as a single piece of instrumental music that charted the seven levels of the sea - Epipelagic, Mesopelagic, Bathypelagic, Abyssopelagic, Hadopelagic, Demersal, and Benthic - by portraying their depths musically, from the surface where light enters (Epipelagic) to the murky, enclosed-in-darkness ocean floor (Benthic) where bottom feeders live. Staps was also influenced deeply by Russian film director Andrei Tarkovsky's masterpiece Stalker, a work that charts the journey of three men through a bleak (presumably post-apocalyptic) landscape to a room where all desires can be fulfilled…

Since issuing Aeolian in 2005, Berlin's continually evolving extreme music collective the Ocean have created conceptual recordings that reflect the evolutionary, violent character of nature itself with a musical signature that combines progressive, sludge, hardcore, and atmospheric post-metal. Phanerozoic I: Palaeozoic is the first of two releases - the second is forthcoming in 2020. After 2013's glorious Pelagial, which charted the savage and harmonious life of the sea, Phanerozoic I returns the focus to solid ground; it is the proper sequential sequel to 2007's Precambrian and the missing link between it and 2010's Heliocentric/Anthropocentric.
While Phanerozoic I: Palaeozoic continues some of the genre traits and strategies of Pelagial, it's musically more akin to the progressive metal feel of Precambrian…