This is a wonderful four-disc collection of tracks from Peggy Lee's first solo stint with Capitol Records in the mid- to late-1940s, shortly after she left her spot as a singer with Benny Goodman's band in 1943, and her early sides for Decca Records, who signed her in 1952. While many would argue that her best work was done a decade later during her second go-round with Capitol, the selections here (many of them done with husband Dave Barbour and his orchestra) show an assured vocalist with a firm understanding of the pop side of jazz.
Dave Mason's first solo album was one of several recordings to come out of the Leon Russell/Delaney & Bonnie axis in 1970. (Other notables included Eric Clapton's solo debut and Joe Cocker's Mad Dogs & Englishmen.) Alone Together contains an excellent batch of melodically pleasing songs, built on a fat bed of strumming acoustic guitars with tasteful electric guitar accents and leads…
This rock documentary includes the complete concert performance of The Who at the third and final Isle of Wight music festival. Playing to 600,000 ravenous fans on August 30, 1970, Pete Townshend, Roger Daltrey, John Entwistle, and Keith Moon outdid themselves with a towering set. They even went so far as to play the rock opera TOMMY in its entirety, giving audiences yet another reason to shout…
MADNESS THE RISE & FALL (2010 issue UK 2-CD album set - Originally released in 1982, Following the magnificent ska-pop of their debut, One Step Beyond, and the developmental pop majesty of Absolutely and 7, The Rise & Fall shows a band at the very height of their songwriting powers; their maturity and depth of subject matter second to none among their peers.
The very first Now That’s What I Call Music compilation, issued in the UK in November 1983, has been reissued a number of times but the second volume, which followed four months after the first in March 84, is to be released on CD for the first time in April. Now That’s What I Call Music 2 has long considered to be one of the best ‘NOWs’ (it helps that it was issued in early ’84, the best year in pop) and it effortlessly combines some contributions from relative veterans (Paul McCartney, The Rolling Stones, David Bowie, Slade, Queen) with brilliant ‘new’ pop from the likes of Frankie Goes To Hollywood, Eurythmics, Nik Kershaw, Thompson Twins, Nena and Cyndi Lauper.
Starting soft and staying there, Nightbird takes more than a couple listens to pay real dividends, but that Erasure are revitalized is evident first time through. Gone is the trying-too-hard surface-pop of Cowboy and Other People's Songs and back is the intimate, introspective, and great lyrical moments of the ballads scattered among the duo's best albums…
Released in March 1976, Status Quo's ninth album was, depending upon how one viewed the last six years of relentless boogie, either the last of the band's "classic" LPs or the first step toward absolute household name-dom that the group has enjoyed ever since…