Altoist Art Pepper was at the height of his career during his final five years. A brilliant improviser in the 1950s, by the late '70s the many dark experiences he had had in life were reflected in a deep emotional intensity in his playing. He played each solo as if it might be his last and his passion was brutally honest. This giant 16-CD Galaxy set features Pepper at the peak of his powers.
This giant 16-CD Galaxy set features Pepper at the peak of his powers. Most of the performances are in a quartet setting, although this collection also includes a session with strings, five unaccompanied alto solos (he also plays clarinet on a few tracks), and a pair of CDs in which Pepper performs duets with pianist George Cables. Although more general collectors may want to acquire some of the individual sessions first (most of which are available separately on CD), the more dedicated jazz fans are advised to save their money and acquire this essential package.
Love broadened their scope into psychedelia on their sophomore effort, Arthur Lee's achingly melodic songwriting gifts reaching full flower. The six songs that comprised the first side of this album when it was first issued are a truly classic body of work, highlighted by the atomic blast of pre-punk rock "Seven & Seven Is" (their only hit single), the manic jazz tempos of "Stephanie Knows Who", and the enchanting "She Comes in Colors", perhaps Lee's best composition (and reportedly the inspiration for the Rolling Stones' "She's a Rainbow"). It's only half a great album, though; the seventh and final track, "Revelation", is a tedious 19-minute jam that keeps Da Capo from attaining truly classic status.