Artists in Their Studios

The image of a tortured genius working in near isolation has long dominated our conceptions of the artist’s studio. Examples abound: think Jackson Pollock dripping resin on a cicada carcass in his shed in the Hamptons. But times have changed; ever since Andy Warhol declared his art space a “factory,” artists have begun to envision themselves as the leaders of production teams, and their sense of what it means to be in the studio has altered just as dramatically as their practices.

The image of a tortured genius working in near isolation has long dominated our conceptions of the artist’s studio. Examples abound: think Jackson Pollock dripping resin on a cicada carcass in his shed in the Hamptons.

A look at contemporary art and artists.

In the 1950s, a few young men, known as Badius, embarked on a nearly 2,500-mile (4000 km) journey from the northern rural interior of Cabo Verde’s Santiago Island to the island of São Tomé off the Atlantic coast of central Africa. Incredibly, they made the arduous journey not to earn a better living or send money back home — but to simply buy an accordion, locally known as a gaita. They would work years in harsh conditions to earn enough to buy the instrument and a few more years to buy a ticket back to Santiago.

This workshop will focus on digital painting and designing for animation (with an emphasis on storytelling). This includes designing practical backgrounds, characters and props using Photoshop. Erik will also cover some basic color theory, perspective and use of textures.

Nicolas Marlet's format is different from all other workshops, he just creates an illustration. It is an observation of a master character artist at work. No dialog, no commentary, no distractions. Just Nico doing what he does best; creating beautiful works of art.