Arvo Pärt Spiegel im Spiegel

Experience ultimate relaxation with Classical Chill.These albums feature some of the most beautiful and peaceful music ever written, perfect for concentration or relaxation.

Released to celebrate Arvo Pärt's 75th birthday in September 2010, this 2-CD commemorative set contains many of his best-known works including many composed in Pärt's new style, the most notable of which is Spiegel im Spiegel and Cantus in memoriam Benjamin Britten. Along with Gorecki, Arvo Pärt is the best-selling living composer of the last 20 years.

Arvo Part (born 11 September 1935; Estonian pronunciation: is an Estonian classical composer and one of the most prominent living composers of sacred music. Since the late 1970s, Pдrt has worked in a minimalist style that employs his self-made compositional technique, tintinnabuli. His music also finds its inspiration and influence from Gregorian chant.

This is a handsome-looking compact disc release, with strikingly muted graphics in cool purple tones, featuring Latvian violinist Gidon Kremer and Japanese harpist Naoko Yoshina. Here the pretty graphics go a little too far: the buyer finds no listing of compositions on the outside of the package and has no way of knowing what is played aside from a bare mention of the names of the 11 composers featured. That's where the All Classical Guide comes in. The works were all written in the twentieth century. They are: Michio Miyagi's Haru no umi (Ocean in Spring, a calming, melodic piece); Kaija Saariaho's Nocturne for violin solo (a somewhat avant-garde coloristic piece); Toru Takemitsu's Stanza II for harp and tape (also pretty far out and very Japanese-sounding); Yuji Takahashi's Insomnia for violin, voices, and kugo (strange, but oddly soothing); a movement from Satie's Le fils des étoiles as arranged by Takahashi (austere); Jean Françaix's Five Little Duets (100 percent charming); the Étude for violin from Richard Strauss's Daphne (also charming); Six Melodies by John Cage (simple and pleasant); Arvo Pärt's Spiegel im Spiegel (even simpler and not startling); Nino Rota's love theme from The Godfather (you know this one); and the final movement from Schnittke's Suite in the Old Style (gently Classical except for one deliberately horrendous dissonance).