At Tatiana Lisovskaya

This Soviet production filmed live at the Kirov conveys the full beauty of Tchaikovsky's vision. It is a poetically tender work which was confirmed by Tchaikovsky himself in 1878 when he said I played the whole of Eugene Onegin, the author was the sole listener, the listener was moved to tears. Eugene Onegin is Tchaikovsky's most lyrical operatic work. While composing it, he wrote he was filled with indescribable pleasure and enthusiasm. The opera is based on Pushkin's novel in verse and was first produced in Moscow on March 29, 1879. Featuring Sergei Leyferkus as Onegin, Yuri Marusin, Tatiana Novikova, Larissa Dyadkova.

Noise, the fury of war, the unleashing of madness, and tyrannies marked the twentieth century as a time of shadow. The elements of metal and steel, combined with emotions of hate and death, painted a backdrop many wished to leave behind.

Rachmaninov’s ten chamber works, two left incomplete, all date from his twenties. The most widely performed and best known is the Cello Sonata. The two trios feature daunting piano parts – the composer was still finding his unique style and the influence of Tchaikovsky can be heard in No.1. The 2nd Trio is a massive work (as is Tchaikovsky’s own Trio), composed just days after Rachmaninov learned of the death of his mentor. It is dedicated ‘To the memory of a great artist’. The Cello Sonata is mature Rachmaninov, with hints of the 2nd Piano Concerto and 2nd Symphony.

Forming in 1969, Asleep at the Wheel was one of the first bands (along with Commander Cody & His Lost Planet Airmen) of the long-haired hippie generation to look back to American roots music traditions like Western swing and boogie-woogie, but the world wasn't quite ready when they released their 1973 debut on United Artists. The following year, they switched over to Epic for their self-titled sophomore release, and began to really make a name for themselves…

Western Standard Time is the tenth studio album by American country band Asleep at the Wheel. Recorded at various studios in Austin, Dallas, Briarcliff and San Marcos, Texas it was produced solely by the band's frontman Ray Benson and released in August 1988 as the group's second album back on Epic Records. Western Standard Time is the band's first album to feature no original material, relying on recordings of compositions originally by popular swing, R&B and big band artists…

At Christmas and all through the year, there are angels among all of us who willingly share the true spirit of Christmas in gifts of kindness, service, forgiveness, and love. In December 2018, The Tabernacle Choir and Orchestra at Temple Square, and Bells on Temple Square, joined with superstar entertainer Kristin Chenoweth to celebrate these angels and all the other bounteous gifts of Christmas.

What more can you ask for? Asleep at the Wheel playing on Austin City Limits running through a smoking program of rocking, strolling Western swing tunes – with special guests like Eldon Shamblin, Johnny Gimble, Leon Rausch, and Herb Remington no less. Asleep at the Wheel have performed on Austin City Limits numerous times – including the very first broadcast program back in 1976 – but this show, recorded gorgeously from 1992, is special. The bandmembers are so relaxed, open, and in the groove here that this stands out among their live recordings. It's true that the program is familiar, full of favorites and legendary swing tunes, though "Boot Scoot Boogie" by Brooks & Dunn's Ronnie Dunn is also here. Some of the standouts include "Roly Poly," "Corrine, Corrina," "Blues for Dixie," and the closing read of the Cindy Walker/Bob Wills tune "Sugar Moon."

You Me At Six return with their 8th album, Truth Decay - a celebration of everything that has made You Me At Six who they are, a living document of the genre, the music they love, and their own career to date. Recorded in Santorini and continuing You Me At Six's now long term creative partnership with producer Dan Austin (Biffy Clyro, Massive Attack, Pixies), Truth Decay sees the band return to their roots, and cement themselves as masters of their genre.