Beyond Borders Band

For his first solo project after replacing Dickie Betts in the Allman Brothers Band, 23-year-old Derek Trucks pushes the stylistic envelope even further than on his last diverse release. Prodding into Latin, Indian, and fusion jazz, this stylistically varied effort exudes enough blues and funky R&B to keep the Allman Brothers Band fan's attention while expanding their boundaries – sometimes radically – beyond what the typical Southern rock fan might expect or even tolerate. It's a brave and largely successful experiment, due in part to the vocals of his guest stars, since Trucks himself does not sing. Opening with the title track, a funky Meters-style bubbler that employs a gospel chorus to frame Trucks' searing slide work, it sounds like the guitarist is working within borders he established on his two previous albums.

It is believed that the rush hour lounge music falls on the 50-60s. Then it executes unknown bands, but the rooms were great friends. While implementing lounge music could be called any musician who played in a cafe or restaurant to the public. In the 60s there were ensembles, records which are related to Lounge. Among them - the bands of James Last, Bert Kempferta, Paul Mauriat, Herb Alpert. Distinguished as a lounge music and musical design films, because this style of music can rightly be called the background.

Player was formed in 1977 by Englishman Peter Beckett, who came to the United States after the demise of his popular English band Paladin, along with J.C. Crowley. He was soon joined by Ronn Moss and John Friesen. After many rehearsals and songwriting sessions, Player was born…

‘Fertile Paradoxes’ is the new studio album from two Tunisian brothers, Amine & Hamza M'raihi. Both are masters of the oud and kanun respectively, the two major instruments of Arabic classical music. ‘Fertile Paradoxes’ is steeped in global rhythms spanning from their homeland in Tunisia to Switzerland where Amine and Hamza currently reside, tour and record. ‘Fertile Paradoxes’ is a classy exploration into time-honoured traditions with new dimensions, across eight tracks of carefully selected dynamic collaborations. The album runs close to seventy minutes of airplay; the shortest track is ‘Letter to God’ at 7:31 and the longest being ‘Spleen’ at 10.49.