Bob Frank

By 1968 there was a growing consensus that something had gone horribly wrong with the American dream. With urban riots, Vietnam, the assassinations of Martin Luther King and Bobby Kennedy, and ever-climbing divorce rates, the American way of life was under scrutiny from all sides. The nation’s youth had loudly made their feelings clear, but now the older, pre-Beatles generations began to look at the country and wonder what the hell was happening.

Good '86 big band set led by tenor saxophonist and bass clarinetist Bob Mintzer, a fine player and arranger. These recordings are in a conventional format, with polished ensemble sections and good, occasionally great solos. They are well produced and mastered.

The Grammy Award–winning Bob Mintzer Big Band has explored diverse styles of music in its illustrious 25-year recording history—from New York and Afro-Cuban to Count Basie and John Coltrane.

The Bob Mintzer Big Band has been a part-time affair for the past 18 years, but somehow the orchestra always manages to sound like a regularly working band. The premise behind Gently was to have the Mintzer Big Band playing at a lower volume, with lyrical arrangements by the leader, along with a greater use of muted brass and flutes. However the orchestra still romps in places and the tempos vary. The big band (which boasts impressive musicianship) features solos from Mintzer on tenor, trumpeters Scott Wendholt, and Michael Mossman, trombonist Michael Davis, pianist Phil Markowitz, altoist Pete Yellin and others, with drummer Peter Erskine driving the ensembles.

An entry within Metro Doubles series, One, Two, Three & BJ4: The Legendary Albums is a two-CD set containing Bob James' first four albums, presented in chronological order. The set is a good way to pick up these four James' discs – not only is it a convenient, concise way to get the records, but they're presented well with good liner notes, including track-by-track commentary by Chris Ingham.

Mahogany Rush were always regarded as the poor relations of Rush, if they were thought of at all. In the U.S., they were regarded in certain markets (Detroit, Chicago, Kansas City) as true descendants of the Jimi Hendrix Experience, but in the mid-'70s, that's what everyone was looking for…