Bobby Hutcherson

Andrew Hill - Andrew!!! (1964) {Blue Note Japan SHM-CD UCCQ-5115 rel 2015} (24-192 remaster)
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 327 Mb | MP3 @320 -> 121 Mb
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© 1964, 2015 Universal Japan / Blue Note | BN 75th The Masterworks | UCCQ-5115
Jazz / Post Bop / Avant-Garde Jazz / Piano

Reissue. Features the high-fidelity SHM-CD format (compatible with standard CD player) and the latest 24bit 192kHz remastering. Quite possibly our favorite album ever from pianist Andrew Hill – a really unique outing that features the vibes of Bobby Hutcherson and a rare non-Sun Ra appearance by tenorist John Gilmore! The presence of Hutcherson brings a real "new thing" energy to the album – a feel that's similar to Bobby's classic Dialogue album, of which Hill was such an important part. But the searching tenor of Gilmore also brings a striking new level to the session as well – and his solos open up with a raw, earthy quality that really shades in the album with a great deal of feeling. Gilmore's role here is a bit like that of Joe Henderson on his freer Blue Note material – but his sound still undeniably unique, at a level that really makes us wish he'd recorded more albums like this at the time. The tracks are all originals by Hill, and include the titles "Duplicity", "Black Monday", "The Griots", and "Le Serpent Qui Danse". CD features 2 bonus alternate takes too!

This excellent Columbia album was recorded less than a year after Dexter Gordon's well-publicized tour of the United States following a dozen years spent living in Europe. With assistance from such other major players as trumpeters Woody Shaw and Benny Bailey, vibraphonist Bobby Hutcherson sounds in superlative form on Woody Shaw's "The Moontrane," four standards, and his own "Fried Bananas." In addition to the original program (which features Dexter with an all-star tentet), the 1997 CD reissue adds two 1979 features for vocalese singer Eddie Jefferson ("Diggin' It" and "It's Only a Paper Moon") that were originally released on Gordon's Great Encounters; trumpeter Shaw and trombonist Curtis Fuller co-star with Gordon. An excellent acquisition.

This is one of Lee Morgan's best records. The title track bounces along and is superbly memorable. It features Wayne Shorter, Ron Carter and Herbie Hancock, three musicians who were working with Miles Davis at the time.

Master of the Art is the studio companion to the album Night Music, also reissued on Wounded Bird records from the original Elektra Musician masters, with the same band as on the live date, but with completely different songs and a short interview from the trumpeter. At a time when Shaw was one of the most consistently brilliant trumpeter's of the modern era, this effort did nothing to hurt that estimable reputation. Vibraphonist Bobby Hutcherson and trombonist Steve Turre being on the front line made for an arresting sound, while the emerging pianist Mulgrew Miller was asserting himself as a major force, with drummer Stafford James and drummer Tony Reedus sounding like they had worked together for decades. The four tracks include here are quite lengthy, allowing for stretched melody lines and beefy solos, showing the inventiveness and stamina of this mighty sextet.

Stanley Cowell - Brilliant Circles (1969) {Black Lion BLCD760204 rel 1995}
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© 1969, 1995 Black Lion / DA Music | BLCD760204
Jazz / Hard Bop / Post Bop / Avant-Garde Jazz / Piano

Pianist Stanley Cowell's second recording as a leader finds him leading a powerful all-star sextet that includes trumpeter Woody Shaw, Tyrone Washington on tenor, flute and clarinet, vibraphonist Bobby Hutcherson, bassist Reggie Workman and drummer Joe Chambers. The challenging repertoire (an original apiece by Cowell, Washington, Shaw and Hutcherson) falls between advanced hard bop and the avant-garde, consistently inspiring the talented players to play at their most creative. Recommended.

Lee Morgan - The Procrastinator (1967) {1995 Connoisseur CD Series}
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© 1995 Capitol / Blue Note | 7243 8 33579 2 5 | Super Bit Mapping
Jazz / Hard Bop / Trumpet

It is surprising that Lee Morgan's The Procrastinator was not released when it was recorded in 1967 for the sextet (which includes Wayne Shorter, vibraphonist Bobby Hutcherson, pianist Herbie Hancock, bassist Ron Carter and drummer Billy Higgins) lives up to their potential on a well-rounded set of originals by Morgan and Shorter. The music ranges from the funky "Party Time" (which sounds like it could have been written by Horace Silver) to more explorative pieces.

The soaring spirit of Blue Note Records – served up here with a really special twist to fit the mode of the Free Soul series! The package is overflowing with goodness – four hours' worth of listening, with a special focus on two periods of the label – that great late 60s/early 70s stretch when they were trying out so many new ideas and rhythms, including elements borrowed from soul, Latin, fusion, and Brazilian modes – and the more recent stretch that has seen Blue Note re-emerge as one of the most forward-thinking labels in jazz!

McCoy Tyner - Time For Tyner (1968) {2005 Blue Note RVG Edition}
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© 1968, 2005 Blue Note / Capitol | 7243 5 63840 2 6
Jazz / Post Bop / Modal Music / Piano

Time for Tyner finds pianist McCoy Tyner with vibraphonist Bobby Hutcherson, bassist Herbie Lewis, and drummer Freddie Waits. Tyner and Hutcherson blend together quite well on the first three tracks from the original program (all Tyner originals), and both display expertise at coming up with inventive ideas over modal vamps. The other three selections are veteran standards. "I Didn't Know What Time It Was" is taken by the full quartet, Hutcherson sits out on "Surrey with the Fringe on Top," and a rhapsodic "I've Grown Accustomed to Your Face" is a piano solo. A fine all-round showcase for McCoy Tyner in the late '60s.