Brand

African Sketchbook is a superb example of the kind of solo concerts Abdullah Ibrahim (then known as Dollar Brand) performed early in his career. They were lengthy, non-stop affairs with pieces strung together end on end, sometimes repeated, sometimes with interpolations from Monk or Ellington, and always supremely creative and moving. He would often introduce the evenings with a composition for flute, as is the case here with the gorgeous "Air." After that, it's wave upon wave of songs. Some are rhythmically propulsive numbers with Ibrahim vamping for all he's worth with the left hand while deftly evoking aspects of South Africa with the right. The songs tend to have a basis that may strike Western listeners as gospel-related while, in fact, it's gospel that shows these same African roots…

African Sketchbook is a superb example of the kind of solo concerts Abdullah Ibrahim (then known as Dollar Brand) performed early in his career. They were lengthy, non-stop affairs with pieces strung together end on end, sometimes repeated, sometimes with interpolations from Monk or Ellington, and always supremely creative and moving. He would often introduce the evenings with a composition for flute, as is the case here with the gorgeous "Air." After that, it's wave upon wave of songs. Some are rhythmically propulsive numbers with Ibrahim vamping for all he's worth with the left hand while deftly evoking aspects of South Africa with the right. The songs tend to have a basis that may strike Western listeners as gospel-related while, in fact, it's gospel that shows these same African roots…

African Sketchbook is a superb example of the kind of solo concerts Abdullah Ibrahim (then known as Dollar Brand) performed early in his career. They were lengthy, non-stop affairs with pieces strung together end on end, sometimes repeated, sometimes with interpolations from Monk or Ellington, and always supremely creative and moving. He would often introduce the evenings with a composition for flute, as is the case here with the gorgeous "Air." After that, it's wave upon wave of songs. Some are rhythmically propulsive numbers with Ibrahim vamping for all he's worth with the left hand while deftly evoking aspects of South Africa with the right. The songs tend to have a basis that may strike Western listeners as gospel-related while, in fact, it's gospel that shows these same African roots…