Martha Argerich´s associations with violinist Gidon Kremer and cellist Mischa Maisky are surely among the pianist’s most substantial and musically rewarding collaborations.
SCHUBERT: SONGS WITHOUT WORDS is an elegant recital by pianist Daria Hovora and cellist Mischa Maisky that allows us to hear Schubert songs, beautifully rich as they are with the texts as sung by many of our finest singers, here solely for the instrumental line. Somehow the interplay between melody and accompaniment (always an equal partnership in Schubert's hands) is heightened by this experience. Not that the entire album is appropriated by the cello standing in for a vocalist: the opening work is "Sonata for Arpeggione and Klavier" and is one of the highlights of the CD. But just listen to the performances of 'Standchen', 'An die Musik' and 'Du bist die Ruhe' and hear the extraordinary marriage between the piano and cello, singing as beautifully as any other version. This is one of those CDs that bears keeping out for multiple listenings in the late evening.
Martha Argerich's associations with violinist Gidon Kremer and cellist Mischa Maisky are surely among the pianist’s most substantial and musically rewarding collaborations. The present collection includes all of the Argerich/Kremer and Argerich/Maisky duo recordings for Deutsche Grammophon as originally released and in chronological order. Although Argerich has participated in numerous musical partnerships, not to mention her longtime mentoring of young artists, her associations with violinist Gidon Kremer and cellist Mischa Maisky are surely among the pianist's most substantial and musically rewarding collaborations. The present collection includes all of the Argerich/Kremer and Argerich/Maisky duo recordings for Deutsche Grammophon as originally released and in chronological order, allowing listeners the opportunity to trace each duo's evolution in terms of artistic rapport, sensitivity, risk-taking and the fine tuning of nuance.
Many people have accused the Maisky interpretation of the Bach Unaccompanied Cello Suites as "romanticized." I have just two words for Maisky's critics: "So What?". What truly matters is that Mischa Maisky is the most energetic and most original devotee of Bach. His version of the Bach Cello Suites is not only the best in the market today, but more importantly, demonstrates that music should be played by an artist, not for the sake of accuracy, but for the purpose of art and its resulting empathy which infuses the audience.
A truly beautiful and unique tracklist with rarities including Víkingur Ólafsson’s new arrangement for piano of a Bach Cantata, rare transcriptions for guitar, for mandolin and even String Quartet; alongside familiar Bach masterpieces, all played by the world’s greatest classical artists, curated and presented Deutsche Grammophon.
From the Notes: Though she is constantly in demand by the most prestigious orchestras, conductors and music festivals in Europe, Japan and America, chamber music occupies a significant part of her musical life. She regularly plays and records with pianists Nelson Freire and Alexandre Rabinovich, cellist Mischa Maisky and violinist Gidon Kremer: "This harmony within a group of people gives me a strong and peaceful feeling"…
A truly beautiful and unique tracklist with rarities including Víkingur Ólafsson’s new arrangement for piano of a Bach Cantata, rare transcriptions for guitar, for mandolin and even String Quartet; alongside familiar Bach masterpieces, all played by the world’s greatest classical artists, curated and presented Deutsche Grammophon.
The Verbier Festival is one of classical musics greatest events. In celebration of the festivals 25th anniversary, this unique concert brings together 36 classical stars in an unprecedented evening of ingenious programming and captivating performances. The line-up includes the worlds greatest violinists, violists, cellists and pianists as well as other leading performers conducted by Valery Gergiev and Gabor Takacs-Nagy. Founder and director Martin T:son Engstroem writes: We started this incredible adventure in 1994, and 25 years on, our Festival has become one of the worlds most important cultural events. But it is not just another festival; our vision right from the beginning was to build something which combined important musicians with a very visible youth and learning element. This is what we set out to do and this is what we achieved.