Bach Mit Fried Und Freud

Little Organ Book, in which a beginning organist is given instruction in performing a chorale in a multitude of ways, and also in mastering the use of the pedal, since in the chorales offered here the pedal is used to its full extent. Glory be to God alone, thereby may we our knowledge hone.

As one of the most legendary champions of Bach Karl Richter's many (and in some instances multiple) recordings of the composers Cantata's arguably is his greatest achievement. Richter enlisted many of the finest vocalists in their prime during the 1950's through the early 70's for these recordings elevating the neglected form at the time to the level of Grand Opera. His conducting, especially for his day as well remains remarkably animated and fluent yet always respectful of Bach's underlying powerful architectural components. These recordings set the standard and for many today remain the benchmark performances by which all new ones continue to be judged.

This set gathers the Bach recordings released by Michel Chapuis for the French label Valois (now Naive) between 1966 and 1970. These highly regarded recordings were reissued by Naive in 1999 and soon became unavailable again. Faultless registration, dramatic flair, dazzling technique and pinpoint clarity in counterpoint make these recordings a cornerstone of any Bach and organ discography. The booklet includes a detailed index by BWV numbers and another by alphabetical order of titles.

Recorded for Calliope between 1975 and 1991, André Isoir’s version of the complete organ works of Johann Sebastian Bach was an exceptional undertaking that received unanimous acclaim from press and public alike. La Dolce Volta here reissues this set, unavailable since 2008, on 15 CDs at a highly attractive price. These interpretations which have achieved legendary status for their magical touch and ornamentation, their supremely elegant and inward sculpting of phrases, are now enhanced by stylish new presentation (remastered sound, luxury packaging, recent interview with the artist, full details of the instruments).

Recorded for Calliope between 1975 and 1991, André Isoir’s version of the complete organ works of Johann Sebastian Bach was an exceptional undertaking that received unanimous acclaim from press and public alike. La Dolce Volta here reissues this set, unavailable since 2008, on 15 CDs at a highly attractive price. These interpretations which have achieved legendary status for their magical touch and ornamentation, their supremely elegant and inward sculpting of phrases, are now enhanced by stylish new presentation (remastered sound, luxury packaging, recent interview with the artist, full details of the instruments).

This set gathers the Bach recordings released by Michel Chapuis for the French label Valois (now Naive) between 1966 and 1970. These highly regarded recordings were reissued by Naive in 1999 and soon became unavailable again. Faultless registration, dramatic flair, dazzling technique and pinpoint clarity in counterpoint make these recordings a cornerstone of any Bach and organ discography. The booklet includes a detailed index by BWV numbers and another by alphabetical order of titles.

For many, Johann Sebastian Bach is ‘the’ composer of the Baroque period, a master of harmony, counterpoint and genre. During his lifetime he was particularly renowned as a virtuoso organist, and his compositions for the instrument have formed the core repertory of any aspiring organist ever since. The content of the Orgelbüchlein – a selection of chorale preludes composed while Bach held the post of Ducal Organist at Weimar – includes several pieces that are considered to be among Sebastian’s finest works.

45 little masterpieces for the Lutheran Service. The explanatory title Bach gave to his Orgelbüchlein, a collection of chorale preludes composed in Weimar between 1708 and 1717 is as follows: Little organ book, in which the aspiring organist is given guidance in the performance of a chorale in many different ways, as well as in perfecting himself in the study of the pedal, since in all of the chorales contained herein the pedal part is obligatory. In honour solely of God on high, and for the instruction of my fellowmen.