Ballades

This third CD from the dynamic piano trio of Brian Marsella, Jorge Roeder, and Ches Smith is a delightful surprise–and one of Zorn's greatest achievements. Exploring a wide variety of tempi, moods, and feelings the compositions dive deeply into the parameters of melody, harmony, hythm, and texture, stretching the ballade format to its limits and beyond. The trio, three essential members of Zorn's inner circle, performs with passion, imagination, virtuosity, and a telepathic improvisational interplay at the very highest level. A stunning collection of modern Ballades performed by three of the greatest young musicians in the Downtown scene. Essential!

A Pittsburgher like the late Earl “Fatha” Hines, Ahmad Jamal is also, like Hines, one of the towering piano individualists in jazz—nearing age 90 at the time of this resplendent solo release. Little did we know he was cajoled into recording some solo piano during the sessions that yielded his 2017 full-band album Marseille. The result, Ballades, is an imaginative set that allows Jamal to roam free, though he brings in regular bassist James Cammack on three tracks, including the opening “Marseille” (version number four, following the three from the previous album). There’s also an out-of-tempo reading of “Poinciana,” Jamal’s signature number dating back to the late ’50s, ruminative and dreamy without reference to the drumbeat that made the tune famous. Whether playing standards or originals, or even venturing into late-period Bill Evans with “Your Story,” Jamal turns the keyboard into a magisterial canvas.

The pianist Anna Vinnitskaya has built up an impressive discography since her victory at the Queen Elisabeth Competition in 2007: Bach, Brahms, Ravel, and of course the Russian composers with whom she has been familiar since her childhood in Novorossiysk, then her studies with Evgeni Koroliov. She has now made her first Chopin recording, coupling the four Ballades, a cross between the miniature and the sonata, with the four Impromptus he composed at different periods of his life, between 1835 and 1842.

Nana Mouskouri (Greek: Nάνα Μούσχουρη), born Ioánna Moúschouri (Greek: Ιωάννα Μούσχουρη) on October 13, 1934, in Chania, Crete, Greece, is a singer who is confirmed to have sold between 200 and 300 million records worldwide in a career spanning over five decades, making her one of the best-selling music artists of all time. This disc contains her ballades in French.

The four Ballades for piano, composed between 1835 and 1842, have a particular status in Chopin's production. As opposed to the "small forms" inspired by dances, they give birth to vast developments of a new, almost revolutionary genre bearing an epic breadth characteristic of the emergence of the Romantic Age. Like his friend Delacroix, who knew how to express the spirit of his times to be heroic in his paintings, Chopin here develops the aesthetic line of the musical story, rich with multiple sparkling colors. The piano Arthur Schoonderwoerd plays is an exact contemporary of the pieces executed and was miraculously conserved in its original state.

The Tunisian-born French pianist Jean-Marc Luisada, a prize-winner at the 1985 Warsaw Chopin Competition, has earned an international reputation as a distinctive Chopin interpreter. In the late 1990s and early 2000s, Luisada made a series of recordings for RCA: the complete Mazurkas, Waltzes and Ballades, the B minor Sonata and a chamber arrangement of the First Concerto (joined by the Talich Quartet), among numerous other works. MusicWeb International wrote that “the most stunning aspect of his artistry is his exploratory approach to Chopin. He uses every phrase to probe into Chopin’s sound-world and psyche, also displaying a total command of the keyboard’s resources.” As ClassicsToday wrote about Luisada’s Chopin: “The pianist compels you to listen.” All his RCA Chopin recordings are now reissued in a 6-album Sony Classical box.