Ludwig van Beethoven is one of the towering heroes of music. As a composer, he became a transformational, sometimes revolutionary force. As a man of spirit and inspiration, he triumphed over deafness to produce a wealth of masterpieces. Over the course of more than two centuries, his works have delighted, surprised, amazed and moved listeners. The greatest moments of his multi-faceted genius – from the heroic to the intimate – can be experienced here in performances by instrumentalists, singers and conductors of the utmost distinction.
Born in Australia Bruce Hungerford (1922-1977) studied with the legendary Ignaz Friedman in Sydney. His move to the USA brought him in contact with Myra Hess, who gave him valuable coaching, and later with Carl Friedberg. His prodigious qualities caught the attention of the Solomon brothers of the American Vanguard Classics label who contracted him for a complete Beethoven cycle recording. Sadly Hungerford died in a car accident halfway the project. Piano Classics is happy to issue his Beethoven Legacy for the first time in one CD box set. Hungerford’s Beethoven is powerful, full of dramatic contrasts and effects, but also of great tenderness and wit, the full spectrum of Beethoven’s genius and humanity. Apart from his superb pianism and musicianship, Hungerford is also remembered as a professional palaeontologist and Egyptologist.
Beethoven constantly calls into question and modifies the notion of time in sonata form. He never repeats himself. The thirty-two sonatas are like a voyage of initiation that runs throughout his creative career, displaying his endlessly inventive imagination. After Liszt’s Harmonies poétiques et religieuses and Sonata in B minor, François- Frédéric Guy offers us a complete cycle of Beethoven’s 32 sonatas, recorded in public at the Arsenal in Metz. This set is the first volume. ‘To play the complete Beethoven sonatas in public represents the most exhilarating project I have attempted, a tremendous artistic and human challenge. Beethoven explores sonic and poetic regions that in my view still remain, even in the early twenty-first century, his “exclusive territory”.