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Christian Leotta - Beethoven: Piano Sonatas, Volume 3 (2010)  Music

Posted by tirexiss at March 24, 2023
Christian Leotta - Beethoven: Piano Sonatas, Volume 3 (2010)

Christian Leotta - Beethoven: Piano Sonatas, Volume 3 (2010)
WEB | FLAC (tracks) - 436 MB | 02:37:33
Genre: Classical | Label: Atma Classique

Le pianiste italien Christian Leotta nous revient avec le volume 3 de son intégrale des 32 sonates pour piano de Beethoven. Il a fait de ce corpus une spécialité. Ce CD double contient notamment les sonates pour piano No. 17 en ré mineur op. 31 No. 2 “ La Tempête” et la No. 31 en la bémol majeur op. 110, ainsi que quelques sonates des premiers opus.
Rudolf Kempe, Munchner Philharmoniker - Ludwig van Beethoven: Symphonies Nos. 5 & 6 'Pastoral' (2012)

Ludwig van Beethoven: Symphonies Nos. 5 & 6 'Pastoral' (2012)
Münchner Philharmoniker, conducted by Rudolf Kempe

EAC | FLAC | Tracks (Cue&Log) ~ 311 Mb | Mp3 (CBR320) ~ 169 Mb | Scans ~ 50 Mb
Genre: Classical | Label: Warner Classics | # 50999 6 02303 2 4 | Time: 01:13:47

Major documents from Rudolf Kempe's later years at the head of the Munich Philharmonic. Beethoven's Fifth, that masterpiece of emotional tension, and his Sixth, all vivid depiction of nature, are both readings of maturity and perfection.
Beethoven - The Complete Piano Sonatas on Period Instruments (10CD BoxSet) (1997)

Beethoven - The Complete Piano Sonatas on Period Instruments (10CD BoxSet) (1997)
EAC | FLAC (image+.cue, log) | Covers Included | 11:28:36 | 3,4 Gb
Genre: Classical | Label: Claves Records | Catalog: CD 50-9707/10

Now many of the world’s most serious and significant pianists (Schnabel, Serkin, Brendel, Goode, etc.) have devoted a great deal of thoughtful study to the Beethoven sonatas; in general, performance of this music represents a level of erudition and deep contemplation probably unequaled by the works of any other mainstream composer. Serious pianists study every aspect of these works in minute detail; virtually everything is taken into account except those instruments which inspired Beethoven, and which he had in mind when he composed.
Rundfunkchor Leipzig, Staatskapelle Dresden, Herbert Blomstedt - Beethoven: Leonore, Op.72 (1977) 2 CDs, Reissue 2014

Ludwig van Beethoven - Leonore, Op.72 (1977) 2 CDs, Reissue 2014
Rundfunkchor Leipzig; Staatskapelle Dresden; Herbert Blomstedt, conductor
Edda Moser, Richard Cassilly, Theo Adam, Helen Donath, Eberhard Büchner

EAC | FLAC | Image (Cue&Log) ~ 704 Mb | Scans included | Time: 02:35:40
Genre: Classical, Opera | Label: Brilliant Classics | # 94868

Reissue of this near legendary recording of Beethoven’s Leonore (the first version of what later became Fidelio). This recording from 1977 was the first recording of this opera, and since then remains a benchmark. Featuring the best singers of the time: Eberhard Büchner, Edda Moser, Edith Mathis, Theo Adam, Karl Ridderbusch, and the Staatskapelle Dresden conducted by Herbert Blomstedt.
Beethoven Complete Piano Sonatas (1986) (Wilhelm Backhauss) (10CD Box Set) **[RE-UP]**

Beethoven Complete Piano Sonatas (1986) (Wilhelm Backhauss) (10CD Box Set)
EAC Rip | FLAC (tracks+.cue, log) | Artwork | 1.93 Gb | MP3 CBR 320kbps | RAR | 1.3 Gb
Classical, Piano Sonata | Label: London Records / F00L-29001/9 / 417 203/212-2

10 CD box set celebrating the work of the German Beethoven-pianist of international renown, Wilhelm Backhaus. It contains all of his concert recordings, the most popular sonatas and waltz-variations.
Xavier Phillips, Francois-Frederic Guy - Ludwig van Beethoven: Complete Works for Cello & Piano (2015) 2CDs

Ludwig van Beethoven: Complete Works for Cello & Piano (2015) 2CDs
Xavier Phillips (cello); François-Frédéric Guy (piano)

EAC | FLAC | Image (Cue&Log) ~ 532 Mb | Mp3 (CBR320) ~ 307 Mb | Artwork included
Genre: Classical | Label: Evidence Classics | # EVCD015 | Time: 02:11:52

Act III of François-Frédéric Guy's Beethoven Project. On the programme: Beethoven's complete music for cello and piano with cellist Xavier Phillips, recorded by Nicolas Bartholomée at the Arsenal in Metz. In 2008 Guy embarked on a major Beethoven project that has included recording and performing in concert all 32 Beethoven Sonatas and the 5 Piano Concertos. Guy is a dedicated chamber musician and he regularly performs Beethoven’s chamber music for strings and piano as well, with Tedi Papavrami and Xavier Phillips. As part of the Beethoven project, Guy has performed the complete cycle of 32 Sonatas in Washington, Paris, Monaco and recently at the Festival Berlioz in La Côte-Saint-André (August 2013). Born in Paris, Xavier Phillips started playing the cello at the age of 6. His encounter with Mstislav Rostropovitch proved especially fruitful since it marked the beginning of a long collaboration during which Xavier Phillips received the guidance and encouragement of the master cellist.

Chiaroscuro Quartet - Beethoven, Mozart (2013)  Music

Posted by Designol at June 13, 2022
Chiaroscuro Quartet - Beethoven, Mozart (2013)

Chiaroscuro Quartet - Beethoven, Mozart (2013)
EAC | FLAC | Tracks (Cue&Log) ~ 219 Mb | Mp3 (CBR320) ~ 137 Mb | Scans included
Genre: Classical | Label: Aparté | # AP051 | Time: 00:57:23

Following on their highly acclaimed debut album, the period instrument Chiaroscuro Quartet returns with another recording of chamber music of the classical period. Their approach, firmly committed and imaginative, fits particularly well with the trail-blazing works on this recording. In its day, Beethoven's famous ''Serioso'' quartet was considered avant-garde and experimental. Mozart's Adagio and Fugue is a veritable lesson in the art of counterpoint - rich with dissonance and brilliant in its subtle complexity and inventiveness.
Cypress String Quartet - Beethoven: The Late String Quartets (2016)

Cypress String Quartet - Beethoven: The Late String Quartets (2016)
WEB | FLAC (tracks) - 1.1 Gb | 03:22:46
Genre: Classical | Label: Cypress String Quartet

I first heard the late string quartets of Beethoven in my teens, on a budget price LP on the French Musidisc label. I don’t remember much about the performances; one movement that sticks in my mind is the slow movement of Op. 127, which was played at an expansive tempo, and took around twenty minutes. However I do remember the liner-notes, which were obviously translated by someone for whom English was not their first language.
Cullan Bryant and Dmitry Rachmanov - Beethoven and His Teachers: Music for Piano, Four Hands (2011) 2CDs

Beethoven and His Teachers: Music for Piano, Four Hands (2011) 2CDs
Cullan Bryant and Dmitry Rachmanov, period piano; Maria Ferrante, soprano

EAC | FLAC | Image (Cue&Log) ~ 384 Mb | Mp3 (CBR320) ~ 114 Mb | Artwork included
Genre: Classical | Label: Naxos | # 8.572519-20 | Time: 01:32:20

Performing on early 19th-century pianos from the Frederick Historic Piano Collection, competition prizewinners Dmitry Rachmanov, a Juilliard graduate, and Cullan Bryant, a graduate of Manhattan School of Music, explore the interrelationships between the keyboard music of Beethoven and his principal teachers in this fascinating double-album of rarities for piano four-hands, culminating in a revelatory account of the Great Fugue in Beethoven’s own keyboard arrangement. The distinctive sonorities of these highly esteemed period instruments transport the listener back to the time when Beethoven, his teachers or his own pupils, may have performed this music themselves for the first time.
Roger Norrington, The London Classical Players - Ludwig van Beethoven: Symphonies 1-9, Overtures [6CDs] (1997)

Roger Norrington, The London Classical Players - Ludwig van Beethoven: Symphonies 1-9, Overtures (1989) [6CDs]
XLD | FLAC | Tracks (Cue & Log) ~ 1,35 Gb | Total time: 05:53:24 | Scans included
Classical | Label: EMI | # 7 49852 2 | Recorded: 1986-1988

One of the most fascinating recording projects of this period was Sir Roger Norrington's pioneering set of Beethoven symphonies with The London Classical Players. Here at long last–after a century and a half of neglect–was a conductor bravely determined to conduct these symphonies according to Beethoven's difficult metronome markings, and as played on the original instruments that Beethoven had composed for–that is, the very sounds that he must have had in his mind when he wrote this music down. Norrington astutely saw that Beethoven's original brass and percussion instruments play a crucially prominent role in these symphonies, and most importantly, that they cannot be tempered without diminishing the passionate intensity of the music itself.