Belle 2023

Usually, the first comeback album is a pretext for a comeback tour; the second comeback album is the real test. And Van Der Graaf Generator passed that test, although fans may argue about that for years. Vintage VDGG this is not (and if you're still hoping for that, well, it won't happen). And, of course, Trisector sounds closer to a Peter Hammill solo album than any VDGG LP from the '70s. After all, drummer Guy Evans has released very few albums (let alone under his own name) during the interim, and organist Hugh Banton has released only one, while Hammill chugged out three dozens or so. Consequently, yes, Hammill's songwriting dominates and follows the style of songwriting found on his 2000s albums.

As part of Deutsche Grammophon’s release of a limited and numbered edition of Claudio Abbado’s complete recordings for DG, Decca and Philips, you can now enjoy Volume 11 in a series of 16 digital albums, which are organised in alphabetical order of composer name. This eleventh digital album presents music by Prokofiev, Rachmaninoff and Ravel.

The Eleventh Hour! is the fourth studio album by English rock band Magnum, released in 1983 by Jet Records. The production of this album caused a lot of tension between the band and Jet Records, following the two-year delay to the previous album, Chase the Dragon in 1982 and their first album, Kingdom of Madness, in 1978. These tensions were further strained when Jet Records denied the band a big name producer, leaving them to produce the album themselves. The Eleventh Hour! was released in May 1983, peaking at No. 38 in the UK charts, disappointing considering Chase the Dragons peak of No. 17 in 1982. The Eleventh Hour!'s original title was to be Road to Paradise. The 2005 expanded version of the album was reissued on 22 September 2006 in Japan with mini LP/paper sleeve packaging through Arcangelo.

Marauder is a live album by the English rock band Magnum. It was released in 1980 on Jet Records. Magnum recorded Marauder over one night at London's Marquee Club on 15 December 1979. It was an attempt by Jet Records to revive the success of the debut album Kingdom of Madness following the failure of Magnum II. The album was recorded on multi-track by former-Ten Years After bass player Leo Lyons, who had recorded Magnum II, and mixed by Chris Tsangarides.