In the early and mid-'70s, the years between the live FOUR-WAY STREET and 1977's CSN, there were plenty of albums which were supposedly begun as Crosby Stills Nash and Young projects but collapsed. The Stills and Young Band's LONG MAY YOU RUN is a legendary example, as is 1975's David Crosby and Graham Nash album WIND ON THE WATER, the record the duo made after the early sessions that eventually became LONG MAY YOU RUN fell apart.
Listening to this album, it's easy to hear how different these songs would have sounded with Stills and Young's input, and indeed, the best songs from these two records would have made a killer CSN&Y release. On their own, Crosby, Nash, and the usual heavy friends–Jackson Browne, Carole King, James Taylor, etc.–have made a fine mid-'70s mellow California rock album.
The IPO has recorded a significant repertoire of masterworks during the years. In this special anniversary tribute album, you can find a representative selection of some of the orchestra’s best recordings of the last 50 years.
On November 7 and December 19, 1940, the Benny Goodman Sextet made a series of records for Columbia that featured electrically amplified guitarist Charlie Christian. In 1994, the Masters of Jazz label raided the archives for every known take; many of these appear on 1940, Vol. 5, which is recommended for those who want to surrender to the wonderment of works in progress. With so many multiple takes including rehearsals and breakdowns, this is quite different from the standard issue Best of Benny Goodman collection. Tracks one through nine document the proceedings of November 7, the day on which Goodman and Christian, together with trumpeter Cootie Williams, tenor saxophonist Georgie Auld (who had obviously been listening to Ben Webster), bassist Artie Bernstein, and drummer Harry Jaeger collaborated with pianist Count Basie…