Bill Puka Bill Puka (1970 2020)

When Filmation Studios landed a late-‘60s hit with the Saturday morning cartoon TV show The Archies, it wasn’t long before it started looking for more “sugar” with a similarly music- themed follow-up. Inspired by the success of such shows as The Munsters and The Addams Family, penned by a couple of writers for Laugh-In, and featuring the voice of F-Troop’s Larry Storch, Groovie Goolies first aired in September 1970 as a pairing with the Archies spin-off Sabrina, the Teenage Witch. Though it only lasted 16 episodes, the Groovie Goolies cult lasts to this day (even inspiring the name of the S.F. punk band The Groovie Ghoulies). Why?

Highly accomplished English pianist, composer and arranger who shined from the 1930s through to the '80s.
Although the third finger of his right hand was amputated following a playtime accident as a child, McGuffie persevered with his music studies, and at the age of 11 was awarded the Victoria Medal for his piano proficiency by the Victoria College, Glasgow. A year later he made his first broadcast on Childrens’ Hour, and at the age of 14 was playing regularly with the BBC Scottish Variety Orchestra. For a while he studied to be a naval architect, before moving to Ayr to join the Miff Hobson Orchestra. Early in 1944, he moved to London and played with Teddy Foster at the Lyceum, and then spent four years with Joe Loss, before joining Maurice Winnick and Sidney Lipton…

Bill Evans's Finest Hour represents a number of choice tidbits recorded by the pianist between 1958 and 1970 for Verve. The settings of these recordings range between the intricate trio work he became so identified with to, in at least one instance, full orchestration. While Evans is certainly capable of bopping with the best on songs like "Luck Be a Lady" and "I Should Care," his style glimmers more distinctly on quieter numbers. The fragile "Elsa" and subtle "Spring Is Here" allow him to slowly, though deliberately, develop his impressionistic piano lines. Sensitive accompaniment by drummer Paul Motian and bassists Gary Peacock and Chuck Israels also adds a rich dynamic to these cuts…

AMERICAN BEAUTY: THE ANGEL’S SHARE brings together never-before-heard studio recordings compiled from dozens of recently discovered 16-track reels. It includes multiple outtakes for several album tracks along with demos for every song on the album (except “Box Of Rain”) plus one for “To Lay Me Down,” which was later included on Jerry Garcia’s first solo album, Garcia.