Billy Stewart

It’s time to celebrate an amazing decade for pop music – as popular today as it was back then…and with so many fantastic hits to choose from we had to make this a 100 track selection across 5 CDS – including over 50 #1 singles… Time to immerse yourself in the decade that never stops… legwarmers on – it’s : ‘NOW That’s What I Call The 80s’ …
Opening with one of Queen’s signature anthems ‘I Want To Break Free’, and followed by the incredible ‘Every Breath You Take’ from The Police and Eurythmics with ‘Sweet Dreams (Are Made Of This)’ you know from the start that this is a massive collection…

It’s time to celebrate an amazing decade for pop music – as popular today as it was back then…and with so many fantastic hits to choose from we had to make this a 100 track selection across 5 CDS – including over 50 #1 singles… Time to immerse yourself in the decade that never stops… legwarmers on – it’s : ‘NOW That’s What I Call The 80s’ …
Opening with one of Queen’s signature anthems ‘I Want To Break Free’, and followed by the incredible ‘Every Breath You Take’ from The Police and Eurythmics with ‘Sweet Dreams (Are Made Of This)’ you know from the start that this is a massive collection…

Following the huge success of NOW That’s What I Call Timeless in 2022, NOW Music are pleased to announce the follow up, NOW That’s What I Call Legendary – Out 26th May – more legendary songs from legendary artists! Kicking off this hit-packed album with ‘Don’t Stop Me Now’ from one of the greatest bands of all time – Queen, followed by the massively popular ‘Sweet Caroline’ from Neil Diamond and the superb vocals on ‘There Must Be An Angel (Playing With My Heart)’ from Eurythmics, indicating how truly legendary this line up is. Blondie, The Police and Elton John follow, before ‘Maggie May’ from Rod Stewart and smash hits from Electric Light Orchestra, Paul McCartney & Wings and The Beach Boys. Paul Simon’s most popular solo hit ‘You Can Call Me Al’ features, as does the timeless ‘Suspicious Minds’ from Elvis Presley… and there’s still time for more icons – Christina Aguilera, Sade, Shirley Bassey, Tina Turner and Lionel Richie, before ending this disc with mesmerising vocals from Céline Dion and Whitney Houston.

NOW is proud to present the next instalment in our ongoing ‘Yearbook’ series – and taking our longest trip back in pop history so far – 50 Years – with 83 tracks on 4 CDs, to celebrate a landmark year of Pop singles… NOW – Yearbook 1973.

George Bailey has spent his entire life giving of himself to the people of Bedford Falls. He has always longed to travel but never had the opportunity in order to prevent rich skinflint Mr. Potter from taking over the entire town. All that prevents him from doing so is George's modest building and loan company, which was founded by his generous father. But on Christmas Eve, George's Uncle Billy loses the business's $8,000 while intending to deposit it in the bank. Potter finds the misplaced money and hides it from Billy…..

This extravagant six-CD set documents the astonishing life span of the first pop independent label in the U.K., Immediate Records. Founded in 1965, Immediate flipped, flopped, and staggered its own way, competing against unhip American labels like EMI and Decca until late 1969. The label, and the documentary CD set, showcases in particular the Small Faces, who enjoyed a brief U.K. number one hit, Ogden's Nut Gone Flake. More familiar to American listeners will no doubt be the three-chord sock-hop favorite "Hang on Sloopy" by the McCoys, and a number of covers of familiar American folk-rock hits are present as well. The esoteric collector will appreciate inclusions by such café balladeers as the Poets and Les Fleurs-de-Lis, also signed by Immediate before the advent of the swinging London sound, marked by the Rolling Stones revolution and other mod developers influencing the pants off the tiniest studio cover bands. Immediate also helped sculpt the success of anguished bellower Chris Farlowe, soon to be joined by the similarly throaty vibrato of PP Arnold and, of course, manager/producer Andrew Oldham's best toss of the dice, the Small Faces, whom he ripped away from Decca. By the fourth disc, you are, in fact, in the throes of swinging London, featuring Farlowe's heart-stopping "Yesterday's Papers" and Arnold's "The First Cut Is the Deepest," written by the much-in-demand Cat Stevens. Most of the music is minimal and often out of tune, production at an early-time low, replete with tinny echoes and accidental outtake moments.