Bizarre (1987

Substance is a double-disc set collecting New Order's singles, including several songs that were never available on the group's albums, at least in these versions. While there are a couple of re-recordings of earlier singles, most of Substance consists of 12" single mixes designed for danceclub play. Arguably, these 12" mixes represent New Order's most groundbreaking and successful work, since they expanded the notion of what a rock & roll band, particularly an indie rock band, could do. Substance collects the best of their remixes, and in the process it showcases not only the group's musical innovations, but also their songwriting prowess - "Temptation," "Blue Monday," "Bizarre Love Triangle," and "True Faith" are some of the finest pop songs of the '80s. Although it is a double-disc set, Substance isn't overly long. Instead it offers a perfect introduction to New Order, while providing collectors with an invaluable collection of singles.

Substance is a double-disc set collecting New Order's singles, including several songs that were never available on the group's albums, at least in these versions. While there are a couple of re-recordings of earlier singles, most of Substance consists of 12" single mixes designed for danceclub play. Arguably, these 12" mixes represent New Order's most groundbreaking and successful work, since they expanded the notion of what a rock & roll band, particularly an indie rock band, could do. Substance collects the best of their remixes, and in the process it showcases not only the group's musical innovations, but also their songwriting prowess - "Temptation," "Blue Monday," "Bizarre Love Triangle," and "True Faith" are some of the finest pop songs of the '80s. Although it is a double-disc set, Substance isn't overly long. Instead it offers a perfect introduction to New Order, while providing collectors with an invaluable collection of singles.

Adriano Celentano's I Miei Americani Tre Puntini, Vol. 2 is a very bizarre album from an American point of view. First of all, the point of the album is to pay tribute to American songwriters. This is a nice gesture on Celentano's part, but things go a little sideways when two of the songs are by the Beatles, a band that more people associate with Britain than any other…

The use of the word gold in the album title is ironic, since a collection of outtakes and leftovers is generally considered to weigh in well under the gold scale. With a group such as the evolving Coil collaboration, however, there's the chance that a well-conceived collection of archive material could have quite a positive impact, whatever the relative status of individual tracks in terms of what projects they were first created for. Rejected material can become a highlight out of a combination of whatever unusual aspects already exist in a piece as well as the dramatic impact of a newly conceived program flow. Gold Is the Metal is a great example of this since the individual tracks continually present challenges to the listener combined with a sonic magnetism…

Various Artists - Rage 30: Celebrating 30 Years Of R-R-R-R-Rage! (2017) {3 CD Set ABC Music-Universal - 5377101 rec 1987-2016}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 1.57 Gb | MP3 @320 -> 523 Mb
Full Artwork @ 300 dpi (png) -> 56 Mb | 5% repair rar
© 1987-2016, 2017 ABC Music / Universal | 5377101
Alternative / Indie / Pop / Rock / Electronic

This massive compilation features standout tracks from across the three decades Rage has been on air. Songs that have resonated with fans and artists covering all genres, ages, genders and nationalities; it’s the definitive Rage collection! The rainy nights staying in, the drunken stumbles home, the house party-starter, the soundtrack to morning muesli – Rage means something different to everyone. The late-night television mainstay has entertained generations of Australians, providing a musical education and a window into a world of colour and artistry that is sometimes poetic, sometimes plastic, often raunchy but always fascinating.

The Fibonaccis rose out of the early-'80s punk scene in Los Angeles, CA. Drawing from a wide range of influences including film scores, circus music, as well as an interest in bizarre pop culture in general, the band took their name after Leonardo Fibonacci, the 14th Century Italian mathematician. The group's first lineup consisted of Magie Song (vocals, percussion), John Dentino (keyboards), Joe Berardi (drums, percussion), and Ron Stringer (guitar, bass). Fibonaccis' first record was released in 1982 on the Index label, (fi'-bo-na'-chez). Mixing their many influences, the band emerged with intelligent keyboard passages, over-the-top vocals, and surf-influenced guitar work.