Johnny Stories

This album will raise eyebrows. After all, didn't Johnny Hates Jazz have only one hit song? Forget the band's brief popularity on the American charts. Johnny Hates Jazz was a vastly underrated group, a British pop act whose handsome looks blinded many to the talent bubbling underneath the surface. Most of the record consists of tracks from the band's debut LP, Turn Back the Clock, and their lesser-known follow-up, Tall Stories. Tall Stories was recorded after vocalist Clark Datchler left the group, replaced by Phil Thornalley. Since the long-deleted Tall Stories is hard to find, this might be the only opportunity for fans to hear songs from it. Three of them are collected here: "Let Me Change Your Mind," "Last to Know," and "Fool's Gold." Sounding no different than anything on Turn Back the Clock, these tracks prove that Johnny Hates Jazz didn't lose their knack for soulful, danceable hooks after Datchler's departure. Given that Turn Back the Clock has no filler, the songs taken from that album shouldn't been seen as providing the complete picture.

The British trio Johnny Hates Jazz had Spandau Ballet's striking attire, clean-cut looks, and knack for smooth, glossy pop songs that were more soulful than the critics gave them credit for. Unfortunately, like Spandau Ballet Johnny Hates Jazz were stigmatized in the U.S. by an omnipresent hit that burned out interest in the group before the rest of their discography had the chance to be heard. Johnny Hates Jazz was formed in 1986 by Clark Datchler (vocals, piano), Calvin Hayes (keyboards), and Mike Nocito (bass). Named after a friend who despised jazz, Johnny Hates Jazz released their first single, "Me and My Foolish Heart," on RAK Records that year. The band searched for a major-label deal, and they were signed by Virgin Records after a gig at, ironically enough, a jazz club near the end of 1986.

Johnny Cash was one of the most imposing and influential figures in post-World War II country music. With his deep, resonant baritone and spare percussive guitar, he had a basic, distinctive sound. Cash didn't sound like Nashville, nor did he sound like honky tonk or rock & roll. He created his own subgenre, falling halfway between the blunt emotional honesty of folk, the rebelliousness of rock & roll, and the world-weariness of country. Cash's career coincided with the birth of rock & roll, and his rebellious attitude and simple, direct musical attack shared a lot of similarities with rock. However, there was a deep sense of history – as he would later illustrate with his series of historical albums – that kept him forever tied with country. And he was one of country music's biggest stars of the '50s and '60s, scoring well over 100 hit singles…