Bjork Medulla

It's hard to accuse Björk of making music influenced by commercial or critical expectations at any point in her career, but her post-Homogenic work is even more focused on following her bliss, whether that means acting and singing in Lars Von Trier's grim musical Dancer in the Dark; crafting tiptoeing laptop lullabies on Vespertine; or, in the case of Medúlla, sculpting an album out of almost nothing but singing and vocal samples. The album's title and concept refer to the purest essence of something, and Medúlla explores both the ritual power of the human voice and some of the most essential themes of Björk's music in a way that's both primal and elaborate. It took a large cast of characters to make the album's seemingly organic sound, including vocalists ranging from Icelandic and British choirs to Inuit singers to Mike Patton and Robert Wyatt…

Though Björk has written music for films before, her collaboration with Matthew Barney on Drawing Restraint 9 is a much deeper and more natural pairing, which makes sense, considering that they're partners in life (and now in art). Björk's pieces for the film reflect its fusions of the contemporary with the ancient, and the organic with the technological – themes that she has dealt with in her own work, especially on later albums like Medúlla…

Though Björk has written music for films before, her collaboration with Matthew Barney on Drawing Restraint 9 is a much deeper and more natural pairing, which makes sense, considering that they're partners in life (and now in art). Björk's pieces for the film reflect its fusions of the contemporary with the ancient, and the organic with the technological - themes that she has dealt with in her own work, especially on later albums like Medúlla. The motif of West meeting East is also prominent in the visual and musical halves of Drawing Restraint 9: shot in Nagasaki Bay, the film depicts a pair of occidental guests (played by Barney and Björk) who visit a Japanese whaling ship and evolve into whales to escape drowning when a storm hits…

Though Björk has written music for films before, her collaboration with Matthew Barney on Drawing Restraint 9 is a much deeper and more natural pairing, which makes sense, considering that they're partners in life (and now in art). Björk's pieces for the film reflect its fusions of the contemporary with the ancient, and the organic with the technological - themes that she has dealt with in her own work, especially on later albums like Medúlla. The motif of West meeting East is also prominent in the visual and musical halves of Drawing Restraint 9: shot in Nagasaki Bay, the film depicts a pair of occidental guests (played by Barney and Björk) who visit a Japanese whaling ship and evolve into whales to escape drowning when a storm hits…

Volumen 2 is an updated version of Björk's greatest musicvideos "Volumen" from 1999. It is almost needless to say, that these are some of the best, most innovative videos ever made. Björk is always able to find and collaborate with groundbreaking artists (not only directors as but remixers, producers etc. as well) Take for instance the "All is full of love" video - Chris Cunningham have created a modern classic. Even some of my friends (who hates Björk!!!) admits, that this musicvideo is the best they've ever seen. Until now "Alarm call" has only been available on VHS or on a special japanese 2 dvd edition of Volumen.

Live Box is a set of 4 live CDs, a live DVD and a 36-page booklet by Icelandic musician Björk, released in August 2003. Each live CD roughly corresponds to one album in her (at the time of release) four album solo discography. The 4 live CDs were later released separately in June 2004.