Bk 16

Smooth & gentle music by Enfant De Luxe, Stereolife, Laurent Babtiste, Heritage, Dubsessions, Moon & Benk, Walter Hallert, Venice, Trillian, Michel Petit, Benicio Del Cristo and many more.

Can't Say I Ain't Country is the upcoming fourth studio album by American country music duo Florida Georgia Line. It is scheduled to be released on February 15, 2019, through the Big Machine Label Group. It includes the singles "Simple" and "Talk You Out of It", as well as the tracks "Colorado" and "Sittin' Pretty". It will be supported by a tour of the same name from May 2019.

Don Braden - Organic (1995) {epicure-550 Music BK66873}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 382 Mb | MP3 @320 -> 148 Mb
Full Artwork @ 300 dpi (jpg) -> 16 Mb | 5% repair rar
© 1995 epicure-550 Music / Sony Music | BK 66873
Jazz / Post Bop / Groove / Soul Jazz / Saxophone / Organ

Don Braden is an impressive tenor saxophonist whose style pushes at the boundaries of hard bop while staying a solid part of the tradition. He was raised in Louisville, KY, and began on tenor when he was 13; within two years, he was playing professionally. He played in the McDonald's All-American High School Jazz Band and, although he studied engineering at Harvard (1981-1984), Braden also played in the Harvard jazz band. In 1984, Braden moved to New York, working with the Harper Brothers, Dr. Lonnie Smith, and Betty Carter (with whom he made his recording debut).

Recorded on the closing night of this year's Montreux Festival on July 16, this concert features Deep Purple playing their classic hits with the accompaniment of a full contemporary orchestra conducted by Stephen BK Bentley-Klein. The orchestrated arrangements give an added depth and range to the familiar songs and the band, who are clearly enjoying the experience, deliver one of their finest performances.

Basia never had too many hits, racking up only three charting singles on the Top 100 ("Time and Tide," "New Day for You," "Cruising for Bruising"), but Clear Horizon: The Best of Basia remains an engaging listen nevertheless, because it balances those hits with strong album tracks and forgotten singles. Unlike many artists with a handful of hits, Basia made fully realized albums, but since none of them were drastically dissimilar in style, this compilation works very well. Not only is it the ideal choice for the curious and casual fan, it is truly entertaining for the hardcore fan, since it rounds up all the best cuts on one disc.

This disc is intended to introduce a collection of keyboard instruments in Edinburgh, Scotland, but actually it accomplishes much more. The instruments featured here were built all over Europe, with the majority from the British Isles or France. They date from between 1586 and 1810, with the first example being an Italian virginal and the final one a fortepiano. Along the way come harpsichords of various kinds, a clavichord, and a small organ. Brief but relevant and engaging histories are given for each instrument.

Combine the artistry and brilliant virtuosity of countertenor Drew Minter and ARTEK/458 Strings with a program of vocal and instrumental jewels from 17th century Italy, and you have a recipe for a dynamic recording, bursting with musical fireworks, overflowing with emotion, and splashed with a multitude of colors.