Black Coffee Blues Band Black Coffee

On this high-power album, the larger than life New York bluesman goes back to the roots of post-war Chicago Blues and plays famous tracks by Muddy Waters, Howlin Wolf, Willie Dixon, etc.He's joined by leading contemporary blues stars Bill Perry, Mason Casey, Matt Smith, Jean-Jacques Milteau, Paul Personne and Dimitri Archip from the Black Coffee Blues Band.On "Old School", Popa Chubby (who recently played some UK gigs) smokes TNT, drinks dynamite and shows he can put some speed on the classic tracks of his blues heroes.

On this high-power album, the larger than life New York bluesman goes back to the roots of post-war Chicago Blues and plays famous tracks by Muddy Waters, Howlin Wolf, Willie Dixon, etc.He's joined by leading contemporary blues stars Bill Perry, Mason Casey, Matt Smith, Jean-Jacques Milteau, Paul Personne and Dimitri from the Black Coffee Blues Band.On "Old School", Popa Chubby (who recently played some UK gigs) smokes TNT, drinks dynamite and shows he can put some speed on the classic tracks of his blues heroes.

Beth Hart first teamed up with guitarist Joe Bonamassa in 2011 and the partnership proved to be mutually beneficial. Hart gave the rock-edged Bonamassa some blues bona fides while the guitarist brought the vocalist to a wider audience. Plus, it was evident from their two studio albums and live set that the two had an easy chemistry: They shared a similar vernacular in Chicago blues and classic soul. The pair rely on that effortless interplay on Black Coffee, their third studio collaboration. Working with producer Kevin Shirley – a veteran of Black Crowes records who has been in the Bonamassa orbit since 2006 – the pair eschew straight traditionalism for a clean, colorful, retro vibe.

The always eclectic Maria Muldaur, whose previous albums have paid tribute to Shirley Temple and blues women of the '20s, takes another musical detour in this collection of songs associated with Peggy Lee. In addition to her cool, sexy, relaxed voice, Lee was arguably more talented than other vocalists from her era. As a songwriter she co-penned some of her own material, including the swinging "I'm Gonna Go Fishin'" with Duke Ellington, which features the witty double entendres that spice several other songs. Muldaur possesses a similar ability to purr ("Some Cats Know") or sizzle (an opening tour de force of "Fever" and "Black Coffee") without breaking a sweat. So this collection of 12 tracks, backed by a talented yet restrained eight-piece band, is a natural extension of her vocal strengths. The stylish, retro arrangements include vibes and big-band-styled horn charts that sound as authentic as if they were recorded in the '30s. Even though there are some finger-popping swing numbers (a zippy duet with Dan Hicks on Ted Shapiro's "Winter Weather" is especially peppy), a late-night, languid blues-jazz vibe dominates.

Beth Hart first teamed up with guitarist Joe Bonamassa in 2011 and the partnership proved to be mutually beneficial. Hart gave the rock-edged Bonamassa some blues bona fides while the guitarist brought the vocalist to a wider audience. Plus, it was evident from their two studio albums and live set that the two had an easy chemistry: They shared a similar vernacular in Chicago blues and classic soul. The pair rely on that effortless interplay on Black Coffee, their third studio collaboration. Working with producer Kevin Shirley – a veteran of Black Crowes records who has been in the Bonamassa orbit since 2006 – the pair eschew straight traditionalism for a clean, colorful, retro vibe.

Beth Hart first teamed up with guitarist Joe Bonamassa in 2011 and the partnership proved to be mutually beneficial. Hart gave the rock-edged Bonamassa some blues bona fides while the guitarist brought the vocalist to a wider audience. Plus, it was evident from their two studio albums and live set that the two had an easy chemistry: They shared a similar vernacular in Chicago blues and classic soul. The pair rely on that effortless interplay on Black Coffee, their third studio collaboration. Working with producer Kevin Shirley – a veteran of Black Crowes records who has been in the Bonamassa orbit since 2006 – the pair eschew straight traditionalism for a clean, colorful, retro vibe. Sometimes, the duo make choices that are perhaps a little too obvious – the covers of LaVern Baker's "Saved" and Howlin' Wolf's "Sittin' on Top of the World" are a bit on the nose – but they also know how to kick up the intensity on these chestnuts while avoiding sounding like they're on steroids.

This three-CD set documents some historic country-blues performances by the likes of Mississippi John Hurt, Skip James, Bukka White, Mississippi Fred McDowell and Mance Lipscomb. The urban side of things is well represented by Lightnin’ Hopkins, John Lee Hooker, Memphis Slim, Muddy Waters with Otis Spann, The Paul Butterfield Blues Band and The Chambers Brothers turning in a riveting rendition of “See See Rider.” Included here are 11 previously unreleased tracks. A must for acoustic-blues fans.

Even though the members of live in the sprawling city of Atlanta, they increasingly resemble a band born and raised in the Mississippi Delta. Tom Gray's grainy voice and the way his slide guitar lines interweave with those of Delta Moon co-founder Mark Johnson give the band a rustic style that's believable if not particularly authentic. Regardless, the band has created an impressive catalog of swampy blues with rock, soul, gospel, and folk strains of with Black Cat Oil, their seventh release, another impressive entry. The approach is somewhat more stripped down with the ever-present standup bass delivering a more organic groove, especially on the title track which, with its interlocking guitars, voodoo overtones, and humid, summer's night vibe, is as good a capsulation of this group's technique as anything they have recorded……