Blue Shirley Scott

"That'll Flat… Git It!" is one of the best compilations of the 1950's rockabilly. Each volume contains nearly 30 songs, mostly rockabilly classics and unknown great artists. In spite the tracks were remastered, you can hear some noise, especially in the end of the tracks. This is because many songs were taken from original vinyl singles.

Various Artists - Produced by George Martin: 50 Years In Recording (2001) {6CD Box Set, Parlophone–EMI 532631}
XLD rip | FLAC (tracks)+CUE+LOG -> 2.36 Gb | MP3 @320 -> 1.02 Gb
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© 2001 Parlophone / EMI Records | 07243 532631 2 6
Rock / Jazz / Pop / Fusion / Folk Rock / British Invasion

George Martin is one of the world's most famous record producers and yet, despite a long and varied career, he is most celebrated for his era-defining work with the Beatles. The six-CD box set Produced By George Martin commemorates his 50 years behind the desk. The discs are in chronological order and loosely themed–early years, comedy recordings, 60s hits, orchestral, etc. While generally presented in a chronological fashion, each disc is likewise aptly subtitled. Disc one – "Crazy Rhythms" – features pre-rock & roll big band ("High Society"), skiffle ("Don't You Rock Me Daddy-O"), and dance music ("Scottish Polka" and "Saturday Jump"). In addition, there are tracks from other well-known yet rarely heard artists such as Jimmy Shand ("Bluebell Polka") and Rolf Harris ("Sun Arise"). The "Transports of Delight" on disc two highlight spoken-word and comedy sides produced by Martin in the '50s and '60s.

This set was compiled from the British labels Pye, Piccadilly, Transatlantic and Immediate, so is necessarily restricted in what it includes, yet such is the abundance of Beatles covers that there is plenty to enjoy in this eclectic compilation. The covers are presented in Beatles date order, although it does not follow that the actual covers were recorded in that order. The tracks from Let it be precede those from Abbey road. There are also a few songs that the Beatles wrote but did not record themselves, one of these being Step inside love, a UK top ten hit for Cilla Black, but here covered by Nina Baden-Semper, an actress best known for her role in the seventies TV series Love thy neighbour.

It is believed that the rush hour lounge music falls on the 50-60s. Then it executes unknown bands, but the rooms were great friends. While implementing lounge music could be called any musician who played in a cafe or restaurant to the public. In the 60s there were ensembles, records which are related to Lounge. Among them - the bands of James Last, Bert Kempferta, Paul Mauriat, Herb Alpert. Distinguished as a lounge music and musical design films, because this style of music can rightly be called the background.

Only six months after the third volume of Verve Remixed was released, Verve issued this, a box combining the three volumes of the series with an additional disc of extra remixes.
Though variously rooted in hip-hop, rave and dance clubs sensibilities, the art of mixology has evolved into a potent staple of contemporary pop music. That mainstreaming reached a new zenith with the release of the first installment of Verve Remixed in 2002 and continued to expand via two subsequent collections of eclectic Jazz/R&B-rooted remixes that found a growing, enthusiasitc audience at public radio and other adult-oriented radio outlets. This set compiles those three savory, largely Downtempo anthologies of Jazz-DJ Fusion, from the reworked takes on classic vocalists like Ella Fitzgerald, Sarah Vaughan and Billie Holiday that dominated the first set to the follow-up editions' more expansive palette…

Billie Holiday - Lady Day: The Complete Billie Holiday On Columbia (1933-1944) [10CD Box] {2009 Columbia Edition}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 1.74 Gb | MP3 @320 -> 1.42 Gb
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© 2009 Columbia / Legacy / Sony Music | 88697538062
Jazz / Blues / Swing / Vocal

When Sony/Columbia began its ambitious Legacy reissue project, those who followed their jazz titles knew it was only a question of time before the massive Billie Holiday catalog under their ownership would see the light in its entirety. The question was how? Years before there was a host of box sets devoted to her material, but the sound on those left something to be desired. Would they remaster the material in two- or three-disc sets with additional notes? Would it be one disc at a time? Would the material be issued as budget or midline material or at full price? The last item could be ruled out based on the label's aggressive and very thorough packages of single discs by Charles Mingus, Miles Davis, Duke Ellington, and others.

These 24-carat gold CD, characterized by exceptionally clear record. This is the result of the use and NoNOISE "SASS" (Sound Analysis and Synthesis System).