There are several reasons for a some kind of neglegt abot the 20s and 30s in Ellington's discography. First is the sound quality of the historical recordings that survived through the decades. Even the diehard Duke fan is afraid to prospect atentifly these collections, assuming to listen to some pluffy and cracky recordings…(which is not the case here where the sound was restored in great deal). Second is the problem of obtaining reliable informations about the music, sessions and the musicians envolved. In a time when jazzbands were playing in dancehalls, ballrooms and restaurants, Ellington knew to be in pace with entertaining while keeping the musical standards high.The Duke always surrounded himself with great musicians that made his orchestra so famous and many of them became star names on their own…
The Blues Masters series, much to Rhino`s credit, adopts an expansive definition of blues, allowing the likes of Count Basie, Blind Lemon Jefferson, Muddy Waters and even Louis Prima admission. There is none of the purist`s quibbling over strict 12-bar form or the relative significance of prewar and postwar styles.
What Rhino delivers instead is the blues in all its myriad guises. This music is old and new, black and white, acoustic and electric, folksy and jazzy, performed by women and men, and yet it is all still blues at its core.
This 52 disc Ultimate Collection features music from the Delta to the Big Cities. This special first edition also includes a historic puck harmonica. How blue can you get? You will find your favorites here and discover some hidden gems, as the 'ABC of the Blues' brings together the best of the best.
Led by guitarist/vocalist/songwriter Donnie "Mr. Downchild" Walsh, the Downchild Blues Band is the premier blues band in Canada. Their saxophone-driven jump blues provided a major inspiration for Dan Aykroyd and the late John Belushi's Blues Brothers, who included Walsh's tunes, "Everything I Need (Almost)" and "Shotgun Blues," on their 1978 debut album, Briefcase Full of Blues. Formed in 1969 by Walsh and his brother, Richard "Hock" Walsh, the Downchild Blues Band endured continuous personnel turnover. More than 18 musicians came and went, including Gene Taylor, who went on to play with the Fabulous Thunderbirds, and Kenny Neal, who joined after leaving the employ of Buddy Guy and relocating to Toronto.
Even after his death, Paul Butterfield's music didn't receive the accolades that were so deserved. Outputting styles adopted from Howlin' Wolf and Muddy Waters among other blues greats, Butterfield became one of the first white singers to rekindle blues music through the course of the mid-'60s.