Volume #7 and 8 in this amazing series of slow grinding R&B/Soul/Exotica tunes as they are being played in a club in Melbourne/Australia. Around midnight on the last Saturday of every month, an assemblage of juiceheads, grifters, kittens, dandies and derelicts gather in a dimly-lit, smoke-filled room and dance together real slow. These are some of the records we dance to… Thanks to all the flute players and backing singers of yore for flavouring these old records up just like we like them. –Stag-O-Lee Records
This 2 disc set brings together 61 tracks from this early George Goldner run label. Although Rama only had a three year run as a label, they made significant inroads, especially as a doo-wop specialist with seminal tracks from the Crows ("Gee"), the Wrens ("Come Back My Love"), the Valentines ("Lily Maybelle") and the Heartbeats ("A Thousand Miles Away"). But there's also some errant pop sides and some fine rockabilly aboard as well from Don "Red" Roberts, Little Billy Mason (a white Frankie Lymon sound-alike with guitar band backing), and Roc LaRue. A delightful two disc set that shows off the many sides of this interesting label.
The second volume of Bear Family's riotous 2014 series The Hillbillies: They Tried to Rock is every bit as good as its companion, possibly because it has many of the same players as the first disc. Marty Robbins, Patsy Cline, George Jones, Johnny Horton, Webb Pierce, and Marvin Rainwater didn't cut just one jumping rock & roll single, they cut several and the best of these appear on this 31-track delight. Although there are a few exceptions here, nearly everything on this collection dates from 1956 through 1958, when it was still possible that rock & roll was just another dance fad and not a cultural revolution.
This great series just keeps on getting better and better – as the hillbillies rise from hell, and take their message into the musical mainstream! Previous volumes have dealt with themes of sin and redemption in country music – and this time around, the scope seems pushed even farther – partly because the music extends into the 70s, but also because the stylistic blend is even more amazing – as bigger-name singers mix with obscure artists, and major productions mingle with rare tracks from the indie world. The album's overflowing with great work – along with the great notes of other volumes too.