Bob Hope

Bob Marley and the Wailers - Live Forever: The Stanley Theatre 1980 (2011) {2CD + 3LP Box Set Island Def Jam Limited Edition}
EAC rip (secure mode) & LP Clearaudio perfect rip | FLAC (tracks)+CUE+LOG -> 2.66 Gb | MP3 @320 -> 430 Mb
Full Artwork @ 300 dpi (png) -> 273 Mb | 5% repair rar
© 1980, 2011 The Island Def Jam / Axiom Zion Records / Universal | B0014680-02
Reggae / Political Reggae / Roots Reggae / Rocksteady / Ska

Recorded over 30 years ago while Marley was touring in support of his album Uprising, Live Forever is Bob Marley's last recorded concert. This never before released audio collection offers an incredible snapshot of one of music's most influential performers. Bob Marley & The Wailers - Live Forever: The Stanley Theater, Pittsburgh, PA September 23, 1980 (UMe/Tuff Gong International) is a 2 CD/3LP/Digital collection that features many of Bob's most cherished songs, and is available for the first time. This unforgettable concert contains unique performances of "No Woman No Cry", "Jammin'", and "Is This Love", to name a few, and depicts a musical innovator and inspiration to many cultures and generations. This spectacular audio documentary Live Forever, also immortalizes the last song Marley ever performed live in concert, "Get Up Stand Up" his rally cry for equality.

The autumnal sound of Britain at the turn of the 70s, looking out through wet window panes to a new decade with a mixture of melancholy and optimism for what might come next. With the Beatles gone and the pound sinking, a new and distinctive sound emerges, led by flutes and mellotrons. Available in 18-track CD and 19-track double LP formats.

Bob Albanese Trio with Ira Sullivan - One Way / Detour (2009) {ZOHO ZM 200905}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 349 Mb | MP3 @320 -> 143 Mb
Full Artwork @ 300 dpi (jpg) -> 21 Mb | 5% repair rar
© 2009 ZOHO Music | ZM 200905
Jazz / Post Bop / Piano / Saxophone

In Chicago bop circles, Ira Sullivan's name has commanded the type of respect that Chicagoans have given the likes of Gene Ammons and Johnny Griffin. Mention Sullivan's name to the local jazz connoisseurs who have spent countless nights hanging out at the Green Mill, the Jazz Showcase, or Andy's, and you're likely to hear a very enthusiastic dissertation about the Washington, D.C.-born trumpeter/reedman's contributions to jazz in the Windy City – which is ironic in light of the fact that Sullivan moved from Chicago to Florida back in 1960. Nonetheless, his name still carries so much weight on Chicago's jazz scene that some Chicagoans (and non-Chicagoans as well) will want to acquire Bob Albanese's One Way/Detour simply because of Sullivan's presence.