Bobby Mcferrin

As part of their 40th anniversary, the Modern Jazz Quartet welcomed ten guest artists to their Celebration CD: Bobby McFerrin (brilliant on "Billie's Bounce"), Take 6, Phil Woods, Wynton Marsalis (who gets to show off his technique on "Cherokee"), Illinois Jacquet, Harry "Sweets" Edison, Branford Marsalis, Jimmy Heath, Freddie Hubbard and Nino Tempo. As usual, vibraphonist Milt Jackson and pianist John Lewis also have plenty of solo space, and bassist Percy Heath is perfect in support.

Pharoah Sanders - Journey To The One (1979) {Evidence ECD-22016-2 rel 1994}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 445 Mb | MP3 @320 -> 173 Mb
Full Artwork @ 300 dpi (jpg) -> 33 Mb | 5% repair rar
© 1979, 1994 Theresa Records / Evidence Music | ECD-22016-2
Jazz / Post Bop / Mainstream Jazz / Standards / Saxophone

Formerly a Theresa double LP, this single CD contains all ten of Pharoah Sanders's performances from the sessions. As usual, Sanders shifts between spiritual peace and violent outbursts in his tenor solos. The backup group changes from track to track but often includes pianist John Hicks, bassist Ray Drummond and drummer Idris Muhammad. Sanders really recalls his former boss John Coltrane on "After the Rain" (taken as a duet with pianist Joe Bonner) and a romantic "Easy to Remember"; other highpoints include "You've Got to Have Freedom" (which has Bobby McFerrin as one of the background singers) and the exotic "Kazuko" on which Sanders is accompanied by kato, harmonium and wind chimes.

The Smithereens, Joe Cocker, Johnny Rivers, The Beach Boys, Ike & Tina Turner, Bobby McFerrin, Jan & Dean, Peggy Lee, The Persuasions and Dr. John in a Tower Records Tribute to The Beatles!

Blue Note Plays the Beatles contains 11 previously released performances by jazz artists dipping into the Lennon/McCartney songbook. When deciding to cover such well-known songs, an artist has two possible ways of going about it: either re-create the track with no challenge to the original or attempt the complete opposite. Falling into the first category are "I've Just Seen a Face" by Holly Cole, "And I Love Her" by Kevin Hays, and "Come Together" by Dianne Reeves and Cassandra Wilson with Bob Belden.

Many of the Manhattan Transfer's recordings up to the point of Vocalese showed off their diversity and covered a wide variety of music, including jazz. This set was quite a bit different, for it is dedicated to the vocalese of the great Jon Hendricks. The Manhattan Transfer (singers Cheryl Bentyne, Tim Hauser, Alan Paul and Janis Siegel) perform a dozen songs using Hendricks' lyrics, including "That's Killer Joe," "Rambo," "Ray's Rockhouse" and "Sing Joy Spring." Utilizing their regular band of the period (which includes guitarist Wayne Johnson), the Count Basie Orchestra (directed at the time by Thad Jones), the Four Freshmen (on "To You"), tenorman James Moody, Bobby McFerrin (guesting on "Night in Tunisia"), McCoy Tyner, Dizzy Gillespie (on "Sing Joy Spring"), altoist Richie Cole, and Hendricks himself, among many others, the Transfer give these boppish tunes definitive vocal treatments. This is one of their finest jazz recordings and a classic of its kind.

Dexter Gordon - Round Midnight (1986) {Columbia–Legacy 507924 2 rel 2002}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 377 Mb | MP3 @320 -> 154 Mb
Full Artwork @ 300 dpi (jpg) -> 13 Mb | 5% repair rar
© 1986, 2002 Columbia / Legacy / Sony Music | 507924 2
Jazz / Bop / Hard Bop / Stage & Screen / Saxophone

After seeing "Round Midnight," I knew I had to buy the soundtrack, and if you too have seen the movie, you know what I mean. All the recordings on here were recorded live for the movie, which gives it a great intimate feeling. At the same time, the sound quality on this particular CD is surprisingly good.

THE BEST IS YET TO COME is what one has come to expect from the saxophonist. This music is polished, streamlined, passionate, and soulful. Washington is in prime form on this 1982 outing, and his solos float effortlessly over the funky rhythm section. Wonderful vocal performances are also delivered courtesy Patti LaBelle on the title track and Bobby McFerrin on "Things Are Getting Better," and McFerrin even scat sings on the latter. THE BEST IS YET TO COME is one of the best of its kind.