Boccherini Digital

The son of a cellist and double bass player, Luigi Boccherini (1745-1805) quickly became famous as a child prodigy on the cello. He began his career at the age of thirteen, and the following year went to Vienna with his father, where they both worked at the court theatre. His time was divided between Vienna and his native city of Lucca until 1766, when he undertook a concert tour with the violinist Filippo Manfredi throughout Europe, staying more than a year in Paris before going to Spain, where Boccherini settled, working as a composer and cellist at court and becoming a prominent figure in the musical life of Madrid.

Boccherini wrote very little vocal music; however he left two settings of the Stabat mater. It was first set in 1781 for solo soprano and strings and then in 1800 for two sopranos and tenor, obviously influenced by the hugely-popular Pergolesi Stabat mater of 1736. There are many similarities in the notation and harmony - even the same key of F minor is used. The writing is of extraordinary individuality and seems to come straight from the heart. This unjustly neglected piece is surely one of the most remarkable sacred compostions of the era.