Boccherini Digital

Boccherini wrote very little vocal music; however he left two settings of the Stabat mater. It was first set in 1781 for solo soprano and strings and then in 1800 for two sopranos and tenor, obviously influenced by the hugely-popular Pergolesi Stabat mater of 1736. There are many similarities in the notation and harmony - even the same key of F minor is used. The writing is of extraordinary individuality and seems to come straight from the heart. This unjustly neglected piece is surely one of the most remarkable sacred compostions of the era.

Cellist Ophélie Gaillard and Pulcinella Orchestra focus on Luigi Boccherini, Italian composer and first virtuoso cellist in history. Born in the Tuscany, Boccherini then went to the Court of Prussa and Spain. His musical education looks like a journey around Europe, as it used to be.

With its first of two Genuin Aufnahmen, the Trio Boccherini proves that Beethoven's String Trios are more than technical exercises by the composer along the way to writing quartets. Opus 9 is a rarely recorded and performed early work by the master, and yet they already reveal Beethoven in his entirety, as it were, in a tonally condensed form. The ensemble, comprising of members from three different continents, bring together diverse aspects of their musical experiences, culminating in this colorful yet unified interpretation.