Boston Dance Orchestra

For year after year, decade after decade, the Boston Pops were one of the most popular orchestras in America. Through concerts, tours, and an endless series of record albums, they brought classical music, marches, and contemporary pop to millions of listeners. Over the course of the 20th century, the orchestra was recorded more than any other. They developed a repertoire that functioned as the de facto American classical and pop lexicon. The Boston Pops were populists, emphasizing melody and texture instead of somber, challenging classical pieces.

Banker Henry Lee Higginson established Boston's first full-time resident orchestra. An unprecedented one-million-dollar grant endowed the Boston Symphony Orchestra, which, since its debut on October 22, 1881, has established itself as one of the great orchestras of the world.In order to give orchestra members summer employment, and to recapture the ambience of the Bilse Orchestra's beer-hall concerts in Berlin where Higginson had been a music student, Higginson established a second BSO season in the spring, played by a reduced orchestra initially called the Music Hall Promenade Orchestra. The "Pops," as it became known informally and later officially, was also an audience hit. The Boston Pops remains, essentially, the Boston Symphony Orchestra minus its first chair players.

"SOMM Recordings’ celebration of the 150th anniversary of Ralph Vaughan Williams’ birth continues with Volume 2 of Vaughan Williams Live, featuring historic performances by the BBC Symphony Orchestra and Chorus and the Boston Symphony Orchestra conducted by Sir Adrian Boult in new, signature remasterings by Lani Spahr with authoritative booklet notes by Vaughan Williams’ biographer Simon Heffer.

Presenting the Complete Philips Recordings of John Williams on 21 CDs, with the original jackets, celebrating the maestro's 90th birthday on February 8. This box set includes the original artwork and spined wallets, a 32-page booklet with new liner notes by Dr. Emilio Audissino (author of The Film Music Of John Williams and Film Music In Concert: The Pioneering Role Of The Boston Pops Orchestra). All packaged in a 2-piece lift-off lid box with V-shaped thumb-cuts on either side of the lid.

Above the album worked the 'Orchestra of the Mariinsky Theatre, Valery Gergiev, Boston Symphony Orchestra - The Nutcracker (El Cascanueces) ', and his release took place on 2020. The album has got songs with a total duration of more than an hour. A compilation is a compilation of original music.

Over an hour of the most beloved Russian orchestral showpieces, in performances worthy of a great maestro & his orchestra. Arthur Fiedler & the Boston Pops perform orchestral works from composers Alexander Borodin, Rimsky-Korsakov, Aram Khachaturian, & Tchaikovsky. DSD remastering brilliantly reproduces the superb sound quality of the original master tapes.

In October, we announced As Told By: History, Race, and Justice on the Opera Stage, the most extensive and ambitious presentation of opera by Black composers to ever take place in the US. S

Gil Rose has a special knack for finding music that has somehow slipped through the cracks. Here, he gives us three ballet scores composed for Martha Graham and her company by Carlos Surinach (1915 97). Born in Barcelona and trained in Germany (including seminars with Richard Strauss), Surinach settled in 1950 in the United States, where his flamenco-inflected style appealed to leading choreographers.

When William Steinberg was appointed music director of the Boston Symphony in 1969 as successor to Erich Leinsdorf, he attained the pinnacle of his career. No previous conductor had headed two top-ten US orchestras simultaneously. It was a condition of his Boston position that he could continue to work in Pittsburgh with the orchestra that he had headed since 1952. Born as Hans Wilhelm Steinberg in Cologne on 1 August 1899, he studied at the local conservatory with the conductor Hermann Abendroth and the pianist Lazzaro Uzielli, a Clara Schumann pupil. On graduating in 1920 he became Otto Klemperer’s assistant at the Cologne opera house.