Improving upon its predecessor in virtually every way, Plains Of The Purple Buffalo uses more of what made their debut so fantastic, creating a very solid release. *Shels opts for rather vast song compositions upon this album, creating an almost dreamlike air and sprawling instrumental sections. Despite this, strong instrumentation, such as commanding guitars and pulsing drum beats, keep the release grounded enough so that it does not feel too far off for a listener to easily grasp. Brass sections are tastefully placed, usually in the more ambient, or quiet, portions of each song. This usage of brass instruments is extremely refreshing, providing a rather unique feel to quite a few songs. Consisting of a large variety of instrumental arrangement, Plains Of The Purple Buffalo does not allow a single moment to feel incomplete.
The essential meaning of Wagner’s magnum opus Der Ring des Nibelungen is wrapped up in the composer’s own lifetime pursuit of transcendent romance, with the redemption of eternal love one of the primary tenets of this and his other music dramas. Wagner’s gift for orchestral colour and scenic characterisation make his operas highly suited to the genre of the tone poem, and these seven tableaux evoke major scenarios in the saga, as well as providing a sense of the course and spirit of the greatest operatic drama ever written.