Capo Plaza Richard Mille (feat. Lil Tjay)

Istanbul born performing artist, producer, composer and instrument builder Berke Can Özcan takes you on a captivating journey through the depths of nature on the Lycian Way -a 520 km long hiking trail in southwestern Turkey around part of the coast of ancient Lycia, named after the Lycian civilization that once ruled in this region-. As Özcan ventures deeper into uncharted territory on the trail, he stumbles upon a sight that sparks an artistic flame, the Twin Rocks. In collaboration with critically acclaimed Norwegian trumpet mastermind Arve Henriksen and Brooklyn-based baritone saxophonist Jonah Parzen-Johnson, Özcan immerses the listener in a mesmerizing soundscape that echoes the wonder and mystery of the trail leading to ancient Lycia.

As Time Goes By: The Very Best of Little Feat is an extraordinary collection that contains almost every essential Little Feat song from their '70s heyday with Lowell George, plus the two hits ("Let It Roll," "Hate to Lose Your Lovin'") from their late-'80s comeback. Most of the band's albums are worth hearing, but this is a great introduction for the curious and – since it features "Dixie Chicken," "Willin'," "Two Trains," "Fat Man in the Bathtub," "Sailin' Shoes," "Oh Atlanta" and "All That You Dream" in one place – it's a great summation of the group's achievements, and George's songwriting talent in particular. Unfortunately, As Time Goes By has only been released by the British division of Warner Bros, but it's worth tracking down.

Nestled between the classic album releases Dixie Chicken and Feats Don’t Fail Me Now and performed for a small and intimate assembled studio audience, this recording finds Little Feat in their prime, live from Ultrasonic Studios in Hempstead, NY on September 9, 1974. Often discussed as their ‘best’ line up, this recording features the 1974 version of Little Feat containing Lowell George (Guitar, Vocals), Paul Barrere (Guitar, Vocals), Kenny Gradney (Bass), Richie Hayward (Drums, Vocals) Sam Clayton (Percussion, Vocals), and Bill Payne (Keyboards).

This album found them at a musical peak as a stellar 70s rock band who had oodles of swamp blues and funk, with a loose shambling style that spoke of confidence rather than sloppiness. Lowell George was singing better than ever on this album, notably with the sublime "Roll Um Easy," where his voice was chillingly expressive. Bill Payne and Richie Haywood play their respective keyboard and drums with calm and precision. There are no weak tracks here, and this is another vital album, in keeping with all recordings that featured George.