Catherine

In A Cello Galaxy of British Women Composers, Catherine Wilmers brings to light an extraordinary collection of works by British women presenting us with twelve premiere recordings. Drawing on diligent research, Wilmers unearths strikingly original compositions presenting us with premiere recordings by Amy Elsie Horrocks, Ethel Barns, Elizabeth Poston, Joan Trimble, Dora Bright, Susan Spain Dunk, and Sarah Rodgers, whose Mountain Airs was written for the cellist. Some of these works lay forgotten in the archives of the Royal Academy of Music, their potential stifled by societal limitations rather than artistic merit.

Extraordinary works by British Women composers, brought to light by cellist Catherine WilmersIn A Cello Galaxy of British Women Composers, Catherine Wilmers brings to light an extraordinary collection of works by British women presenting us with twelve premiere recordings.

Philip Catherine, Bert Joris, Brussels Jazz Orchestra - Meeting Colours (2005) is an album that showcases the dynamic collaboration between renowned Belgian jazz musicians Philip Catherine (guitar), Bert Joris (trumpet), and the Brussels Jazz Orchestra. This album blends the talents of these two virtuoso soloists with the impressive collective sound of the orchestra, creating a rich and diverse jazz experience.

Catherine Sauvage Catherine Sauvage Bien sûr, l'une des plus grands dames de la chanson française de la seconde moitié du XX e siècle. Une présence exceptionnelle et une diction d'une rare intelligence, au service d'un répertoire d'une magnifique exigence. Sa contribution à la poésie chantée reste immense, puisqu'elle interpréta aussi bien Hugo que Mac Orlan, Prévert, Aragon, Soupault, Carco, Eluard, Desnos, Audiberti, Seghers, Baudelaire, Vian, Lorca, Brecht et bien d'autres… Sans oublier Ferré, dont elle sera la toute première interprète, ni Vigneault qu'elle aidera à faire découvrir en France. Biographie En 1940, la Seconde Guerre mondiale la pousse, elle et sa famille, jusqu'en zone non-occupée à Annecy. Charles Trenet lui donne le goût de la chanson, du théâtre amateur et de la scène.

Catherine Ennis is a leading concert organist. The organ in St.Bartholomew's church, a Peter Collins instrument, was originally sited in The Turner Sims Hall in Southampton and moved to Orford, to the church where Benjamin Britten's Noye's Fludde was given its first performance, in 2017.

Following her ATMA Classique debut as composer of Albertine en cinq temps ─ l’opéra (released in November 2022), Catherine Major begins her first collaboration with the new neoclassical label, alisma, with La mémoire du corps. Consisting of original compositions for piano, some of which are arranged for strings, English horn and voices, Catherine Major abandons the texts that usually nourish her songs to offer an entirely instrumental album, revealing a new facet of her musical sensibility.

Philip Catherine is one of those musicians who, throughout a prolific career, has developed a unique and authentic sound. He only needs to play a single note to be instantly recognised. He is certainly one of the greats of Belgian and European jazz. The relationship between Philip and Flagey began almost twenty years ago. It was therefore only natural that the institution should organise a concert to celebrate his seventy-fifth birthday.

Canadian Folk music gem, Catherine MacLellan returns with her most anticipated seventh album. 'Coyote', 14 songs recorded and self-produced at her studio in PEI, is reflective and hopeful; a travelogue through heartbreak, loss and the joy of life. A musician's musician, respected by her peers for her talent and dedication to the craft of songwriting; a craft she had a front row seat to at an early age, watching her father, the legendary Gene MacLellan. Seven albums and countless awards, including a JUNO for 'aven's Sun', Catherine's commitment remains at the heart of her work, evident to fans and industry alike.