Carl Loewe

Arcis-Vocalisten Munich, L'Arpa Festante & Thomas Gropper - Loewe: Johann Huss, Op. 82 (2023) [Official Digital Download 24/48]

Arcis-Vocalisten Munich, L'Arpa Festante & Thomas Gropper - Loewe: Johann Huss, Op. 82 (2023)
FLAC (tracks) 24-bit/48 kHz | Front Cover & Digital Booklet | Time - 93:08 minutes | 957 MB
Classical, Opera | Label: Oehms Classics, Official Digital Download

Carl Loewe fashioned his 1841 oratorio about the Bohemian theologian Jan (or Johann) Hus (or Huss) as a kind of ‘opera without a scene’. A good 100 years before the rise to prominence of religious reformer Martin Luther, Hus had taken a hard stance on the official church and was burned at the stake on 6 July 1415 in Constance, following his condemnation by the council. Based on a libretto by August Zeune, Carl Loewe’s Jan Hus premiered on 16 December 1841 in a performance by the Berliner Singakademie. This rarely performed work, surely deserving of more attention, is now finally available with this world premiere recording by the Arcis Vocalisten and the Baroque Orchestra L’arpa festante conducted by Thomas Gropper.
Thomas Gropper, L'Arpa Festante and Arcis-Vocalisten Munich - Loewe: Johann Huss, Op. 82 (2023)

Thomas Gropper, L'Arpa Festante and Arcis-Vocalisten Munich - Loewe: Johann Huss, Op. 82 (2023)
FLAC (tracks), Lossless | 1:32:49 | 415 Mb
Genre: Classical / Label: Oehms Classics

"Carl Loewe fashioned his 1841 oratorio about the Bohemian theologian Jan (or Johann) Hus (or Huss) as a kind of ‘opera without a scene’. A good 100 years before the rise to prominence of religious reformer Martin Luther, Hus had taken a hard stance on the official church and was burned at the stake on 6 July 1415 in Constance, following his condemnation by the council. Based on a libretto by August Zeune, Carl Loewe’s Jan Hus premiered on 16 December 1841 in a performance by the Berliner Singakademie. This rarely performed work, surely deserving of more attention, is now finally available with this world premiere recording by the Arcis Vocalisten and the Baroque Orchestra L’arpa festante conducted by Thomas Gropper."
Arcis-Vocalisten Munich, L'Arpa Festante Baroque Orchestra & Thomas Gropper - Loewe: Das Sühnopfer des neuen Bundes (2019)

Arcis-Vocalisten Munich, L'Arpa Festante Baroque Orchestra & Thomas Gropper - Loewe: Das Sühnopfer des neuen Bundes (2019)
WEB FLAC (tracks) - 458 Mb | MP3 CBR 320 kbps - 237 Mb | Digital booklet | 01:43:08
Classical, Vocal | Label: Oehms Classics

The composer (Johann Gottfried) Carl Loewe is familiar to music lovers of the 20th and 21st centuries above all as the writer of important ballad scores, of which Edward, Erlkonig, Herr Oluf, and Archibald Douglas are well-known examples. His songs Die Uhr or Heinrich der Vogler were or are popular hits, especially in a bygone heyday of salon music and educated bourgeois culture. Loewe wrote more than 400 songs. But the same Carl Loewe also write six operas, two symphonies and two piano concertos as well as a total of 17 sacred and secular oratorios, all of which have fallen into oblivion. With the present oratorio, the Arcix Vocalisten, led by Thomas Gropper, are vehemently opposed to oblivion.
Felix Rathgeber, Christian Rohrbach & Clemens Nicol - Loewe: Herr Oluf und Das Meer – Songs, Ballads, and Recitations (2024)

Felix Rathgeber, Christian Rohrbach & Clemens Nicol - Loewe: Herr Oluf und Das Meer – Songs, Ballads, and Recitations (2024)
WEB FLAC (tracks) - 281 Mb | MP3 CBR 320 kbps - 171 Mb | 01:13:32
Classical, Vocal | Label: Rondeau Production

The program presented on this CD, featuring songs and ballads by Carl Loewe along with texts and poems by Heinrich Heine, Johann Wolfgang von Goethe, Max Frisch, and Ingeborg Bachmann, reflects the human relationship with the sea in various ways. Carl Loewe, who as cantor and organist was an important figure in Stettin in the mid 1800s, was so inspired by the sea during his travels that he wrote many songs and ballads that thematise the sea. This live recording of a song recital is one of the programs where the art forms of song interpretation and recitation complement each other to create a comprehensive dramaturgy. Nina Röder‘s paintings also inspire the listener visually, expanding the horizons of the program. The viewer is led to enchanted places in the works from her series „Über das Verschwinden” (About Disappearance) and encounters mysterious beings. This visual yet poetic perspective completes the circle by confronting the transience of humanity and nature – a theme more relevant than ever in times of climate change and rising sea levels.
Konstantin Krimmel & Ammiel Bushakevitz - Mythos: Schubert & Loewe (2024) [Official Digital Download 24/96]

Konstantin Krimmel & Ammiel Bushakevitz - Mythos: Schubert & Loewe (2024)
FLAC (tracks) 24-bit/96 kHz | Front Cover & Digital Booklet | Time - 67:59 minutes | 1,1 GB
Classical, Vocal | Label: Alpha Classics, Official Digital Download

Passion, solitude, nostalgia, the pain of the world, flight, death — these are the typical themes of Romanticism. Konstantin Krimmel has already explored this era of extreme emotion in Saga, his first recital album (Alpha549). Now, with collaborative pianist Ammiel Bushakevitz, he plunges even deeper into this cosmos. "I simply love telling stories. Even as a child, I loved listening to old legends and tales", says Krimmel, who is indeed a fabulous storyteller-singer. The two artists have chosen here to compare songs by Franz Schubert and Carl Loewe that embody these great themes. The two composers, both masters of the Lied, had very different destinies: Loewe lived to be 72 years old, more than twice as old as Schubert, who had died aged 31.
Konstantin Krimmel & Ammiel Bushakevitz - Mythos: Schubert & Loewe (2024)

Konstantin Krimmel & Ammiel Bushakevitz - Mythos: Schubert & Loewe (2024)
WEB FLAC (tracks) - 266 Mb | MP3 CBR 320 kbps - 157 Mb | Digital booklet | 01:07:59
Classical, Vocal | Label: Alpha Classics

Passion, solitude, nostalgia, the pain of the world, flight, death — these are the typical themes of Romanticism. Konstantin Krimmel has already explored this era of extreme emotion in Saga, his first recital album (Alpha549). Now, with collaborative pianist Ammiel Bushakevitz, he plunges even deeper into this cosmos. "I simply love telling stories. Even as a child, I loved listening to old legends and tales", says Krimmel, who is indeed a fabulous storyteller-singer. The two artists have chosen here to compare songs by Franz Schubert and Carl Loewe that embody these great themes. The two composers, both masters of the Lied, had very different destinies: Loewe lived to be 72 years old, more than twice as old as Schubert, who had died aged 31.

Linda Nicholson - C. Loewe: Piano Music, Vol. 2 (2019)  Music

Posted by varrock at May 10, 2019
Linda Nicholson - C. Loewe: Piano Music, Vol. 2 (2019)

Linda Nicholson - C. Loewe: Piano Music, Vol. 2 (2019)
WEB FLAC (tracks+booklet) - 258 MB | Tracks: 12 | 73:48 min
Style: Classical | Label: Toccata Classics

Known in his lifetime as ‘the north German Schubert’, Carl Loewe (1796–1869) is remembered today chiefly as a composer of ballads. Yet there is a considerable body of piano music that is strikingly innovative in content, expression and harmony, containing the germs of ideas later taken up by composers such as Wagner and Liszt. Loewe was unquestionably a brilliantly original talent, a major figure in ushering in the Romantic era.
Various Artists - Loewe: Grand Trio, Op. 12, Schottische Bilder, Op. 112 & Duo espagnôla (2019)

Various Artists - Loewe: Grand Trio, Op. 12, Schottische Bilder, Op. 112 & Duo espagnôla (2019)
WEB FLAC (tracks) - 235 MB | Tracks: 8 | 53:30 min
Style: Classical | Label: CPO

Our gigantic edition of Carl Loewe’s complete song and ballad oeuvre proved to be a great success and revealed a genuine cosmos of great dramatic works and enthralling genre miniatures. However, it is known only to a few that Loewe not only composed some six hundred songs and ballads but also produced chamber music. In 1831 the Allgemeine musikalische Zeitung described his Piano Trio or Grand Trio op. 12 as »magnificent, finely invented, sustained, and intelligently developed.« Robert Schumann expressed himself in a similar vein: »It is perhaps one of the most fundamentally genuine and most imaginative works by Loewe, one of those worthiest of the best master.

Thomas Quasthoff - A Romantic Songbook (2004)  Music

Posted by tirexiss at Nov. 11, 2021
Thomas Quasthoff - A Romantic Songbook (2004)

Thomas Quasthoff - A Romantic Songbook (2004)
WEB | FLAC (tracks) - 339 MB | 01:19:42
Genre: Classical | Label: Deutsche Grammophon

With A Romantic Songbook, Thomas Quasthoff attempts to re-create the spirit of a live recital in a studio recording. It certainly looks like a recital program: an assortment of lieder composers, each represented by a handful of favorite songs, with a few unfamiliar numbers thrown in to keep things interesting. There's even an encore – the traditional "Danny Boy." With the exception of Schumann's Belsatzar, the bass-baritone hasn't recorded any of these songs before, and, in fact, this is his first recording to include any songs by Mendelssohn, Carl Loewe, or Richard Strauss. This stylistic variety gives the album a breezy, cheerful disposition that matches Quasthoff's personality.

Sandrine Piau & Susan Manoff - Chimère (2018)  Music

Posted by SuniR at Sept. 25, 2018
Sandrine Piau & Susan Manoff - Chimère (2018)

Sandrine Piau & Susan Manoff - Chimère (2018)
EAC | FLAC (log,tracks+cue) -> 191 Mb (5% Rec.)
Mp3 CBR320 Kbps -> 151 Mb (5% Rec.) | Covers + d.booklet included
Classical, Vocal | Label: Alpha Classics / Outhere Music, ALPHA 397 | 0:58:29

''One listen to Piau's absolutely exquisite rendition of Carl Loewe's "Ach neige, du Schmerzenreiche," which opens the program, will convince you of the soprano's impeccable phrasing, subtlety of nuance, and ability to convey the deepest of emotions while retaining the refined beauty of her vocal production. Here and throughout the recital, Piau's high notes are islands of beauty of savor over and over. Manoff, who never calls attention to herself, plays as one, breathing with Piau's every slight change of dynamics or tempo.''