Cavalleria Rusticana

This set features the complete known recordings of French mezzo-soprano Blanche Marchesi (1863–1940), the daughter and pupil of legendary vocal instructor Mathilde (née Graumann) Marchesi (1821–1913). Mathilde was born in Frankfurt, Germany, and after a short, unsuccessful career as a performer, she transitioned to teaching voice in 1849, and never looked back. Her teaching career took her from Cologne to Vienna, and ultimately to Paris, where in 1881 she established her own school and enjoyed a long and illustrious career as vocal instructor to many of the greatest singers of the late 19th and early 20th centuries. Some of her most famous pupils include Nellie Melba, Emma Calvé, Frances Alda, Selma Kurz, and Emma Eames. In addition to the complete Blanche Marchesi, this two-CD set features other rare recordings of pupils of Mathilde Marchesi, most being released here for the first time. Included are performances by American sopranos Elizabeth Parkina, Esther Palliser, and Frances Saville, Australian contralto Ada Crossley, and American lyric coloratura soprano Suzanne Adams.

It's pretty simple-this boxed set contains EVERYTHING La Divina recorded in the studio, including newly-licensed and newly-remastered material! That's the first 69 CDs; the 70th CD is a CD-ROM containing the tracklists and photos. And the set comes inside a hardcover slipcase containing a color booklet packed with even more photos of this most photogenic of opera singers. As for the contents, well, again, it's EVERYTHING she did in the studio.

In these uncertain times, when changes seem so profound and unsettling, Marina Rebeka presents us with a selection of some of the most elevating music ever written to comfort and soothe the human spirit. Sacred music pieces by Mozart, Verdi, Stradella, Faur, Durante, Handel, Bach, and more, performed with the delicacy of Sinfonietta Riga and the Latvian Radio Choir, conducted by Modestas Pitrenas. This is music to listen to while reflecting on our own fragility, and understanding what is really important to us in life.

If you want to know the reason behind all the fuss about Maria Callas, buy this CD. Callas's great gift was not purity of tone or emission, reliability, or sheer loveliness; it was, rather, her ability to change her vocal color and style to suit not only particular periods of opera but to get under the skin of the individual characters she portrayed.

M. De Falla's work is strongly influenced by Spanish folk music in which the guitar is central. Although he composed only one piece for that instrument his inspiration was flamenco and early Spanish music, including the guitar works of Gaspar Sanz. The guitar also features in Falla's first great success, the opera ‚La Vida Breve'. For this recording, we have selected and transcribed works in which the influence of the guitar was dominant thus translating these pieces back to their original source of inspiration.

The MDR Leipzig Radio Choir and its chief conductor Philipp Ahmann present motets by Anton Bruckner and Michael Haydn. While Bruckner’s Locus iste, Christus factus est and Ave Maria enjoy great popularity and can be heard frequently in concerts, Michael Haydn’s contributions to the same genre are far less known. The younger brother of Joseph and successor of Mozart as Salzburg organist has, however, had a huge impact on religious composition in the German-speaking world, and particularly in Austria. As such, Bruckner’s motets, composed about a century later, are still firmly grounded in the tradition of Michael Haydn. By combining their motets, this album allows the listener to discover this uniquely Austrian church-musical style, while simultaneously showing how both composers’ gave a highly personal substance to it.

This richly rewarding album is Oksana Volkova’s first solo album on Delos, though she appeared alongside the late, great Dmitri Hvorostovsky in Delos’s GRAMMY®-nominated 2017 release of Verdi’s complete Rigoletto. Here she delivers powerful, passionate and ravishing performances of (mostly) well-known French, Italian, Russian and Belarusian arias for mezzo-soprano. The composers include Bizet, Thomas, Saint-Sae¨ns, Gounod, Cilea, Massenet and Mascagni; Russian masters heard here are Rimsky-Korsakov, Mussorgsky and Tchaikovsky, alongside a rare treat: an arresting aria by Belarusian composer Dmitri Smolsky, whose music is almost completely unknown in the West. Glowing instrumental collaboration, as usual, comes courtesy of Maestro Constantine Orbelian, leading his trusty Kaunas City Symphony Orchestra.