Cello Britten

Despite all the praise heaped on this late work by England's greatest 20th-century composer, it remains a very difficult nut to crack. The best adjective to describe it would have to be "gnarly." The music is dark, dissonant, and only elusively melodic until the transfiguring finale, when sunlight finally bursts through the clouds in the form of a lyrical trumpet tune. It takes real concentration on the listener's part, and although the experience is worth the effort, it's something you have to understand from the beginning. Walton's Concerto is easier on the ear, but also of lighter musical substance. Andrew Lloyd Webber plays both pieces with total conviction and considerable tonal beauty.

The Emperor Quartet was established a decade ago by Martin Burgess, violin; Clare Hayes, violin; Fiona Bonds, viola and William Schofield, cello. They were first British group to win the Evian/Bordeaux International String Quartet Competition where they were also awarded the Mozart and Contemporary Prizes. In their 10th anniversary year the Quartet were nominated for a Grammy award for their recording of Walton String Quartets.

This set brings together for the first time Britten's complete Decca recordings as pianist and conductor in which he performs music by other composers - an astonishing variety of music that ranges from large-scale choral works by Bach and Purcell to Schumann and Elgar, as well as orchestral works by Mozart, Haydn and Schubert. Solo vocal repertory is generously represented with important works by Schubert and Schumann and early twentieth-century English song. Chamber music features Britten the pianist in partnership with two of Britten's closest collaborators: Mstislav Rostropovich and Sviatoslav Richter.

This release is likely to get a good deal of publicity due to its status as the final release of Stephen Cleobury as director of the Choir of King's College, Cambridge. However, as president of the Herbert Howells Society, he may not be through with performing the music of this composer just yet. Cleobury deserves kudos for this rather challenging double album; he might easily have compiled a set of favorites of some kind, and enjoyed general acclaim. Instead, he has chosen to go out with a piece of work that makes a deeper connection with tradition. Even though he did not succeed Howells as an organist at Cambridge, he certainly lived and breathed his music, and is as fine an interpreter of it as anyone alive.

The Mahler Chamber Orchestra was Orchestra in Residence at the KlaraFestival 2013 which is known as a modern and international classical music festival far beyond Belgium’s borders. The concerts of the Mahler Chamber Orchestra formed one of the highlights of this year’s festival. Alongside young Greece conductor Teodor Currentzis, who is hailed as an “eccentric super-talented maestro”, the orchestra dedicates its performance to the two composers, contemporaries and friends Benjamin Britten and Dmitri Shostakovich.