César Guerra-Peixe was one of the most versatile Brazilian musicians of the 20th century, gaining a particular mastery of orchestration and creating his own inimitable sound through extensive work in radio, television and cinema. The toe-tapping dance rhythms and lyrical expressiveness in his two Symphonic Suites were inspired by research into Brazilian folk traditions, further enhanced by a broad range of vibrantly eloquent global influences. The lighthearted Roda de Amigos mischievously caricatures Guerra-Peixe’s musical circle of friends and their various woodwind instruments.
César Guerra-Peixe is one of the leading composers associated with musical nationalism in Brazil. A Retirada da Laguna is a programmatic suite that describes one of the most dramatic moments in the Paraguayan War of 1864–70, while his Concertino is a clever hybrid between folk music timbres and sophisticated high art ambitions. Museu da Inconfidência is one of the composer’s most admired works, taking us through a museum of 18th-century rebellion and heroism. Guerra-Peixe’s Symphonic Suites Nos. 1 and 2 can be heard on Naxos 8.573925, acclaimed by ClassicsToday.com as ‘absolutely world-class’.
Rooted in European music, native folk traditions and often infused by jazz, Brazilian music encompasses a huge variety of dance forms and songs. Prize-winning guitarist Pedro Aguiar has selected a panoramic recital to illustrate these elements which include the choro and music rich in melody and rhythmic vitality. From Villa-Lobos, whose Choros No. 1 is one of the most popular guitar solos ever written, through to the work of the revered Dilermando Reis, and on to contemporary examples of the genre, this is music of dazzling virtuosity and finesse.