Most of Charles Mingus's larger-group recordings, particularly in the later part of his career, tended to be unruly and somewhat undisciplined. This two-CD reissue set (which adds five selections to the original two-LP program), which celebrated Mingus's return to jazz after six years of little activity. Such great jazzmen as baritonist Gerry Mulligan, tenor saxophonist Gene Ammons, altoist Lee Konitz, pianist Randy Weston, James Moody (heard on flute) and a variety of Mingus regulars had a chance to play with the great bassist; even fellow bassist Milt Hinton and Bill Cosby (taking a humorous scat vocal) join in.
We are pleased to announce "Charles Mingus - The Jazz Workshop Concerts 1964-65 (Town Hall, Amsterdam, Monterey '64, Monterey '65 & Minneapolis)." It chronicles the essential live performances of this genius of modern music as his compositions achieved a depth and complexity we would come to know as Mingus's most signature work. It includes (on the earlier recordings) the brilliant Eric Dolphy, along with Jaki Byard, Dannie Richmond, Johnny Coles, and Clifford Jordan – certainly one of the best assemblages of musicians ever. And the music, recorded across the world's concert stages and intended for release by Charles Mingus Enterprises, dashes once and for all every previously-held notion about what is, and isn't, jazz.
The music on Charles Mingus' In Paris: The Complete America Session originally appeared on two separate LPs issued by America which were duly reissued by several labels as Reincarnation of a Lovebird (though not to be confused with the earlier album of the same title made for Candid). After a five-year layoff from doing any studio recording, Mingus was fully prepared for this 1970 session, with old hands Jaki Byard on piano, drummer Dannie Richmond, alto saxophonist Charles McPherson, and newer additions Bobby Jones (tenor sax), and Eddie Preston (trumpet) making up his sextet.
A complete collection Charles Mingus' classic recordings for the Candid label – far and away some of the best recordings he ever made, and some of the few studio sessions that really let him stretch out and do his thing! Players here are a firey lineup of young modernists that includes Eric Dolphy, Ted Curson, Charles McPherson, Booker Ervin, Paul Bley, Roy Eldridge, Tommy Flanagan, Jimmy Knepper, Jo Jones and Dannie Richmond – all working here with Mingus on really long tracks that burst out with raw emotion, intense energy, and some really searing solo work!
Most of Charles Mingus's larger-group recordings, particularly in the later part of his career, tended to be unruly and somewhat undisciplined. This two-CD reissue set (which adds five selections to the original two-LP program), which celebrated Mingus's return to jazz after six years of little activity. Such great jazzmen as baritonist Gerry Mulligan, tenor saxophonist Gene Ammons, altoist Lee Konitz, pianist Randy Weston, James Moody (heard on flute) and a variety of Mingus regulars had a chance to play with the great bassist; even fellow bassist Milt Hinton and Bill Cosby (taking a humorous scat vocal) join in.